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Homeland spirit

Source: Hubei Daily Date: 2018-12-06 Author: Lin Qin Xin Dong Xingxiu

From November 24th to 25th, 2018, the academic seminar of "Liu Xinglong's recent works and the development trend of the new century literature" was held at Huazhong Normal University. At the opening ceremony, Yan Jingming, Huang Xiaomei, Xiao Weichi, Li Xiuwen, Zhu Xunji, and Chen Hanqiao delivered speeches on behalf of the China Writers Association, Central China Normal University, the Provincial Cultural Federation, the Provincial Writers Association, and the Propaganda Department of Wuhan Municipal Committee. Yan Jingming (China Writers Association) stated that Liu Xinglong's creations accompanied the growth of Chinese literature in the new period, and provided a way of integrating history with reality. His recent works, represented by Huang Gang's Secret Volume, have a clear sense of local history. Regionality also broke the narrow local pattern, and conscious openness was the theme of its expression. Li Xiuwen (Hubei Writers Association) pointed out that at each major historical moment, Liu Xinglong's works can always sensitively capture the sensitive nerves of reality, and his works also have a very typical Chu Di cultural character. The opening ceremony was chaired by Professor Li Yuchun of Central China Normal University. Later, scholars from all over the country conducted a lively academic exchange around Liu Xinglong's recent book Huang Gang Secret and the development trend of the new century literature.

"New Era" and Writing of Personal Literary History

Liu Xinglong's creations are lingering in the "new era" of contemporary literature, and the history of literary development can also be seen from his literary creations. He is in the tide of literature, writing his own literary history, and looking for the way for the writer to complete himself.

Yu Kexun (Wuhan University) combed the development of contemporary literature for forty years, and placed Liu Xinglong in these waves of literature to position him. When Liu Xinglong began to publish his works in the mid-1980s, Liu Xinglong avoided the trend of scar literature. His works showed a warm and tolerant atmosphere. In the early 1990s, in the tide of contemporary literature and art innovation, although Liu Xinglong was influenced by the trend of western literature, he still took root in reality. In the mid-1990s, his work was criticized by Radar as a "realistic shock wave". After the new century, Liu Xinglong's creation paid more attention to cultural issues and truly wrote from a cultural perspective. This can be seen as a trend in contemporary literature. Wang Zheng (Jiangsu Provincial Writers Association) pointed out that Liu Xinglong has changed the face of traditional pure literary writers since the new century, rebuilt the relationship with readers, and "put down the classics and put down the style of construction", thus reaching a freely artistic state. Opened up a new world of art.

"Writing history with legends and vivid pictures with imagination"

Liu Xinglong's recent works represented by "Huanggang Secret Volume" continue the mother's context, highlighting the strong local consciousness. This local writing has become a unique spiritual characteristic and inner charm in Liu Xinglong's works. At the same time, Liu Xinglong also explored the way to combine the inherent content of the work with the presentation skills.

Yan Jingming believes that Liu Xinglong's "Huanggang Secret Volume" deeply describes his local culture and character, and at the same time has a clear expression of the Chinese spirit. Li Xiuwen pointed out that Liu Xinglong is a descendant of typical Chu literature. From "The Mystery of the Dabie Mountains" to "Huang Gang Secret", his works have typical Chu cultural characteristics. Fan Xing (Wuhan University) believes that "Huanggang Secret Volume" shows Huanggang's unique folk customs and regional spirit against the background of regional convergence, and the regional culture with Chu and brutal winds has gained a lot in this work. Good interpretation.

In terms of methodology of literary creation, Yu Kexun believes that Liu Xinglong's works present stylistic innovations, use legends to write history, use imagination and photorealism, and explore new ways of digging cultural resources. He Zhongming (Jinan University) believes that Liu Xinglong's creation embodies the inheritance of the romantic tradition, combining realism and imagination with smart talents and heavy stories. Zhou Xinmin (Hubei University) pointed out that Liu Xinglong combined suspense and accidental two traditional novel techniques with the expression of the content of his works. Liu Yan (Literature Review) pointed out the unique narrative characteristics of Huanggang Secret: combining hometown writing and family narrative, local cultural memory and historical narrative, while exploring inclusive realistic narrative strategies. Yang Jingjian (Hunan Normal University) believes that the mysterious narrative is Liu Xinglong's "change" in narrative style.

Realism

Liu Xinglong's creations are consciously open in external expressions: always in sync with the society and keeping pace with the times. From the bottom-level writing of Sharing Difficulties to the 100-year reflection of Shengtian Menkou, he touched the nerves of the times and sensed the symptoms of society. The "Huanggang Secret Volume" is another masterpiece of realism. It puts the faint experience of the individual in the coordinates of history and morality, which is full of realism.

Shi Zhanjun ("People's Literature") summarized the three characteristics of Liu Xinglong's works: First, there is a sense of "environment". From "Phoenix Qin" to "Huang Gang Secret", the realistic care in the work has always continued; "The imagination and fiction in Liu Xinglong's novels stretch out from the roots as the tentacles. Third, there is" Fang Yuan ". Liu Xinglong is a writer with a whole structure and a family with a heart in his heart.

In relation to reality, Wang Zheng believes that Liu Xinglong presents a state of action: not only writing in the study, but walking, learning and thinking in the earth and in the depths of history. In terms of the realistic expression of his works, Wang Xianzheng (Huazhong Normal University) believes that Liu Xinglong does not sing praises, but instead focuses on the social hotspots that people care about with the scrutiny and critical eyes of writers.

Going classic

The standard of artistic value and aesthetic value is to hold the cornerstone of classics. If the significance and value of Liu Xinglong's works are explored in the context of contemporary literature, there is no doubt that they are moving towards classics. Wang Chunlin (Shanxi University) pointed out that it is not advisable to ignore the current literary reality, and we should see the generation of literary classics and novels. He also said that under the proposition of classicization of contemporary literature, "Sacred Doorway" is also a work that cannot be ignored.

Zhu Shoutong (University of Macau) pointed out that Liu Xinglong's work "spilled out" in terms of ideology and culture. He called Liu Xinglong's creation "a walk on the peak plateau." Chen Meilan (Wuhan University) believes that "My grandfather" left two types of spiritual wealth for Liu Xinglong's creation: persisting in the soul and exploring the mysteries of nature. Xia Yuanming (Huanggang Normal University) pointed out Liu Xinglong's efforts in metaphysical thinking from "real to virtual". He Zhongming pointed out that strong local historical consciousness, continuous deepening of ideological energy and life realization are the reasons why Liu Xinglong stepped out of the "winning curse" and stayed in a trough state at a certain height.

Liu Xinglong delivered a heartfelt speech at the closing ceremony, responding to two questions in the seminar. He said that adherence to the "good and Founder" is a path: not everyone can become a sage, but we must know how to approach the sage. In response to "repetitive writing", Liu Xinglong made a judgment on fate and destiny: it is difficult to reconcile with life and nature, which is fate, and fate is a natural process. Human adolescence is fatal, and when it is truly mature, it becomes destiny. The reason for "rewriting" is to reshape the early manifestation of fate into the manifestation of natural fate. The Vice President of the Chinese Novel Society and Professor Wang Chunlin of Shanxi University made a closing speech. He summarized the discussion of Liu Xinglong's recent works at this meeting, and pointed out that the new century literature has become an important stage of development of contemporary literature. Explore rationally. Therefore, the discussion and summary of this conference is not only a comment on Liu Xinglong's recent works, but also a discussion of the development trend of literature in the new century, showing the consciousness and self-confidence of contemporary literature research advancing with the times.

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Homeland spirit

2018-12-06 09-34-20

From November 24th to 25th, 2018, the academic seminar of "Liu Xinglong's recent works and the development trend of the new century literature" was held at Huazhong Normal University. At the opening ceremony, Yan Jingming, Huang Xiaomei, Xiao Weichi, Li Xiuwen, Zhu Xunji, and Chen Hanqiao delivered speeches on behalf of the China Writers Association, Central China Normal University, the Provincial Cultural Federation, the Provincial Writers Association, and the Propaganda Department of the Wuhan Municipal Party Committee. Yan Jingming (China Writers Association) stated that Liu Xinglong's creations accompanied the growth of Chinese literature in the new period, and provided a way of integrating history with reality. His recent works, represented by Huang Gang's Secret Volume, have a clear sense of local history. Regionality also broke the narrow local pattern, and conscious openness was the theme of its expression. Li Xiuwen (Hubei Writers Association) pointed out that at each major historical moment, Liu Xinglong's works can always sensitively capture the sensitive nerves of reality, and his works also have a very typical Chu Di cultural character. The opening ceremony was chaired by Professor Li Yuchun of Central China Normal University. Later, scholars from all over the country conducted a lively academic exchange around Liu Xinglong's recent book Huang Gang Secret and the development trend of the new century literature.

"New Era" and Writing of Personal Literary History

Liu Xinglong's creations are lingering in the "new era" of contemporary literature, and the history of literary development can also be seen from his literary creations. He is in the tide of literature, writing his own literary history, and looking for the way for the writer to complete himself.

Yu Kexun (Wuhan University) combed the development of contemporary literature for forty years, and placed Liu Xinglong in these waves of literature to position him. When Liu Xinglong began to publish his works in the mid-1980s, Liu Xinglong avoided the trend of scar literature. His works showed a warm and tolerant atmosphere. In the early 1990s, in the tide of contemporary literature and art innovation, although Liu Xinglong was influenced by the trend of western literature, he still took root in reality. In the mid-1990s, his work was criticized by Radar as a "realistic shock wave". After the new century, Liu Xinglong's creation paid more attention to cultural issues and truly wrote from a cultural perspective. This can be seen as a trend in contemporary literature. Wang Zheng (Jiangsu Provincial Writers Association) pointed out that Liu Xinglong has changed the face of traditional pure literary writers since the new century, rebuilt the relationship with readers, and "put down the classics and put down the style of construction", thus reaching a freely artistic state Opened up a new world of art.

"Writing history with legends and vivid pictures with imagination"

Liu Xinglong's recent works represented by "Huanggang Secret Volume" continue the mother's context, highlighting the strong local consciousness. This local writing has become a unique spiritual characteristic and inner charm in Liu Xinglong's works. At the same time, Liu Xinglong also explored the way to combine the inherent content of the work with the presentation skills.

Yan Jingming believes that Liu Xinglong's "Huanggang Secret Volume" deeply describes his local culture and character, and at the same time has a clear expression of the Chinese spirit. Li Xiuwen pointed out that Liu Xinglong is a descendant of typical Chu literature. From "The Mystery of the Dabie Mountains" to "Huang Gang Secret", his works have typical Chu cultural characteristics. Fan Xing (Wuhan University) believes that "Huanggang Secret Volume" shows Huanggang's unique folk customs and regional spirit against the background of regional convergence, and the regional culture with Chu and brutal winds has gained a lot in this work. Good interpretation.

In terms of methodology of literary creation, Yu Kexun believes that Liu Xinglong's works present stylistic innovations, use legends to write history, use imagination and photorealism, and explore new ways of digging cultural resources. He Zhongming (Jinan University) believes that Liu Xinglong's creation embodies the inheritance of the romantic tradition, combining realism and imagination with smart talents and heavy stories. Zhou Xinmin (Hubei University) pointed out that Liu Xinglong combined suspense and accidental two traditional novel techniques with the expression of the content of his works. Liu Yan (Literature Review) pointed out the unique narrative characteristics of Huanggang Secret: combining hometown writing and family narrative, local cultural memory and historical narrative, while exploring inclusive realistic narrative strategies. Yang Jingjian (Hunan Normal University) believes that the mysterious narrative is Liu Xinglong's "change" in narrative style.

Realism

Liu Xinglong's creations are consciously open in external expressions: always in sync with the society and keeping pace with the times. From the bottom-level writing of Sharing Difficulties to the 100-year reflection of Shengtian Menkou, he touched the nerves of the times and sensed the symptoms of society. The "Huanggang Secret Volume" is another masterpiece of realism. It puts the faint experience of the individual in the coordinates of history and morality, which is full of realism.

Shi Zhanjun ("People's Literature") summarized the three characteristics of Liu Xinglong's works: First, there is a sense of "environment". From "Phoenix Qin" to "Huang Gang Secret", the realistic care in the work has always continued; "The imagination and fiction in Liu Xinglong's novels stretch out from the roots as the tentacles. Third, there is" Fang Yuan ". Liu Xinglong is a writer with a whole structure and a family with a heart in his heart.

In relation to reality, Wang Zheng believes that Liu Xinglong presents a state of action: not only writing in the study, but walking, learning and thinking in the earth and in the depths of history. In terms of the realistic expression of his works, Wang Xianzheng (Huazhong Normal University) believes that Liu Xinglong does not sing praises, but instead focuses on the social hotspots that people care about with the scrutiny and critical eyes of writers.

Going classic

The standard of artistic value and aesthetic value is to hold the cornerstone of classics. If the significance and value of Liu Xinglong's works are explored in the context of contemporary literature, there is no doubt that they are moving towards classics. Wang Chunlin (Shanxi University) pointed out that it is not advisable to ignore the current literary reality, and we should see the generation of literary classics and novels. He also said that under the proposition of classicization of contemporary literature, "Sacred Doorway" is also a work that cannot be ignored.

Zhu Shoutong (University of Macau) pointed out that Liu Xinglong's work "spilled out" in terms of ideology and culture. He called Liu Xinglong's creation "a walk on the peak plateau." Chen Meilan (Wuhan University) believes that "My grandfather" left two types of spiritual wealth for Liu Xinglong's creation: persisting in the soul and exploring the mysteries of nature. Xia Yuanming (Huanggang Normal University) pointed out Liu Xinglong's efforts in metaphysical thinking from "real to virtual". He Zhongming pointed out that strong local historical consciousness, continuous deepening of ideological energy and life realization are the reasons why Liu Xinglong stepped out of the "winning curse" and stayed in a trough state at a certain height.

Liu Xinglong delivered a heartfelt speech at the closing ceremony, responding to two questions in the seminar. He said that adherence to the "good and Founder" is a path: not everyone can become a sage, but we must know how to approach the sage. In response to "repetitive writing", Liu Xinglong made a judgment on fate and destiny: it is difficult to reconcile with life and nature, which is fate, and fate is a natural process. Human adolescence is fatal, and when it is truly mature, it becomes destiny. The reason for "rewriting" is to reshape the early manifestation of fate into the manifestation of natural fate. The Vice President of the Chinese Novel Society and Professor Wang Chunlin of Shanxi University made a closing speech. He summarized the discussion of Liu Xinglong's recent works at this meeting, and pointed out that the new century literature has become an important stage of development of contemporary literature, and we can learn about the new century literature. Explore rationally. Therefore, the discussion and summary of this conference is not only a comment on Liu Xinglong's recent works, but also a discussion of the development trend of literature in the new century, showing the consciousness and self-confidence of contemporary literature research advancing with the times.

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