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A history of poverty and hustle and bustle of the Jianghan Plain: A summary of the seminar of Dadu's novel "The Age of Poverty"

Source: Hubei Writers Network Published: 2016-10-14 Author: degree of

4 15 ,湖北省文联、省作协、仙桃市委宣传部和湖北省民魂文化艺术传媒有限公司在汉联合举办了达度长篇小说《贫困时代》研讨会。 On April 15 , 2016 , the Hubei Cultural Federation, the Provincial Writers Association, the Propaganda Department of the Xiantao Municipal Party Committee, and the Hubei Minhun Culture and Art Media Co., Ltd. jointly held a seminar on the novel "Era of Poverty" in Dadu. 中国作协副主席何建明和中国作协定点深入生活办公室发来的贺信。 The meeting was chaired by Liang Biwen, vice chairman of Hubei Provincial Writers Association, and read the congratulatory letter from He Jianming, vice chairman of China Writers Association , and the office of China Writers Agreement . 仙桃市委宣传部副部长刘纯文等领导出席会议并讲话, 来自省内外的 30 多位作家、评论家樊星、蔚蓝、吴艳、杨彬、李建华、刘保昌、蔡家园、邓友女、刘诗伟、熊唤军、曹军庆、龙厚雄、韩永明、钱道波、刘天琪等与会发言,新华社、人民网、光明网、荆楚网、湖北日报、楚天都市报、湖北电视台、湖北作家网等 10 多家主流媒体进行了现场采访报道。 Leaders such as Zhu Xunji, Party Secretary and Vice Chairman of Hubei Provincial Writers Association, Luo Danqing, member of the Party Group and Vice Chairman of Hubei Cultural Federation, and Liu Chunwen, deputy director of the Propaganda Department of Xiantao Municipal Party Committee, attended the meeting and delivered speeches. More than 30 writers and critics Fan Xing from inside and outside the province , Wei Lan, Wu Yan, Yang Bin, Li Jianhua, Liu Baochang, Cai Jiayuan, Deng Younv, Liu Shiwei, Xiong Huanjun, Cao Junqing, Long Houxiong, Han Yongming, Qian Daobo, Liu Tianqi, etc., Xinhua News Agency, People's Network More than 10 mainstream media , including Guangming.com, Jingchu.com, Hubei Daily, Chutian Metropolis Daily, Hubei TV, and Hubei Writers Network conducted live interviews and reports.

Participating experts agreed that this work truly, sincerely and honestly showed the life picture of a production team in the Jianghan Plain from 1964 to 1976, and reproduced the living conditions and dreams of farmers in that poverty era in a panoramic manner, emitting a strong area of the Jianghan Plain Cultural atmosphere, known as the "ordinary world" of Jianghan Plain, is a history of poverty and hustle and bustle in Jianghan Plain.

He Jianming, vice chairman of the China Writers Association, sent a congratulatory letter saying that Dudu is a relatively active writer in recent years. He has achieved high achievements in both fiction and reportage, and is praised by everyone. He used novels to scold false and evil, used reportage to sing the truth, goodness and beauty, promoted the main theme, and transmitted positive energy. And his reportage "Myths of Gymnastics" and "The Great Wall of Steel on the Roof of the World" give people a sense of passion and excitement. His novel "Era of Poverty", which represents the original ecology of the water and countryside in the Jianghan Plain, reproduces the life and dreams of working people in that era in a panoramic manner, demonstrates the enslavement of the underlying society and the evolution of democracy, and emits a strong cultural atmosphere in Hubei. It is a realistic work that deserves our attention. In the congratulatory letter, the Office of China ’s Agreement on Intensive Living said that Dudu ’s “Poverty Era”, which reflects the real life theme of the Jianghan Plain, is our people-centered creative orientation, and we carry out the theme of “in-depth life and take root in people” Since then, an excellent literary work has emerged.

Zhu Xunji, secretary of the Party Group and vice chairman of the Hubei Provincial Writers Association, said in his speech: Today we discuss Dudu ’s "Era of Poverty", and for us to better organize writers to go deeper into the life, go to the grassroots, and find more and support literary talents and create To produce more and better literary works, this is where our writing association is. Luo Danqing, vice chairman of the Hubei Federation of Literary and Art Federations, said with deep feeling: When I was reading "Era of Poor Causes", I thought of Lu Yao's "Ordinary World", and my whole feeling was that a story happened on the Yellow Land. One is a story on the Jianghan Plain. This panoramic picture of life finally gave me the philosophy of suffering. Liu Chunwen, deputy director of the Propaganda Department of Xiantao Municipal Party Committee, said: "The Age of Poverty" created by Dudu merged the turbulent and magnificent domestic and foreign situations of the 1960s and 1970s with the rich customs and customs of the Jianghan Plain, and reproduced the lives of working people in that era. With dreams. The depiction of the local customs and folk songs in the Jianghan Plain adds a strong regional cultural atmosphere to the book.

Fan Xing, a professor at the Faculty of Arts of Wuhan University and vice chairman of the Provincial Writers Association, said: Watching Dadu's "Poverty Era" is a very close life. Not only the customs and customs, but also the folk customs, this place is very powerful and spicy. This book really gives people a deep feeling that the original ecology restored the life experience of that era. The wild songs, folk songs, duck catching, games, quizzes, ancient sayings, etc., are a concentrated display of the original ecology of the water village in the Jianghan Plain.

Professor Lan Lan, a professor at the College of Arts of Hubei University, said: "Poverty Times" on the one hand can understand the special situation of Chinese farmers in such a historical background, as well as the living suffering and spiritual confusion experienced by ordinary farmers' families and individuals; on the other hand You can also see the shaping and growth of personality in the process of narrating the character's growth experience. It is the survival history of countless individuals, even humble little people, which together constitute the history of the Chinese people's survival and spiritual growth.

Professor Wu Yan from the School of Humanities of Jianghan University said: The strength of "Poverty Times", on the one hand, revives the rural life of the Jianghan Plain, it is poor and hustle and bustle; on the other hand, its characterization, the novel does not simply judge right and wrong, whether Zangren characters , But in the complex personnel affairs, the survival wisdom and the uncertainty and complexity of human nature are evident.

Cai Jiayuan, deputy director of Hubei Literature and Art Academy believes that realistic creation must adhere to the pursuit of authenticity. Obviously, Dudu's novel follows the principle of authenticity of realist creation, with the courage to face the historical truth, and truly records a period of life that he has personally experienced, so it has special historical cognitive value. The meticulous writing of the details of social life makes literature an encyclopedia. The "Poverty Times" meticulous record of the customs, folk culture, production and life of the Jianghan Plain highlights the cultural cognitive value of literature.

Dr. Liu Baochang, a researcher at the Hubei Academy of Social Sciences, conducted a special study on "The Age of Poverty" in the National Social Science Fund Project "Research on Modern Literature in the Two Lakes from the Perspective of Regional Culture", entitled "Presence and Transcendence: Jianghan Plain The wonderful presentation of regional epics——On Dado's novel The Age of Poverty. Here are some excerpts:

1. Darto's novel The Era of Poverty, with a length of nearly 600,000 words, writes the regional history of the Jianghan Plain, reflecting the construction ambition of preserving historical situation and setting the conclusion for the times. With the narrative passion of the Yangtze River and the majestic momentum of the mountains and tsunami, the novel reproduces the history of the plain water town from 1964 to 1976 in a panoramic manner.

2. A strong sense of presence is a distinctive feature of Dudu's novels. He dares to face the suffering, expose the scars, and expose the truth hidden in the depths of rural history in the sun. At the same time, the rich Jianghan Plain regional cultural style spreads out And the reproduction, to a certain extent, dispelled the cruelty of real history, formed the tension space of narrative structure and emotional expression, and thus realized the aesthetic transcendence of historical presence.

3. "Poverty Times" adopts a strict realistic approach to creative work, making every effort in the context of the novel's occurrence, objective environment, details of life, and expression of experience, and strives to restore the "material" nature of the Jianghan Plain water village in the "Cultural Revolution" era. The sense of existence thus builds a solid and deep narrative basis for the text of the novel.

4. This work takes the fictional plot of the novel and the fate of the characters further within the framework of real historical progress. This method of narrative I call "historical fidelity."

5. Middle-aged Darto traces back the whole process of the "Cultural Revolution" in his writing, naturally using his childhood and adolescents' emotional storage, intertwined with the complex emotions of nostalgia for the hometown and absolute criticism. "I can't go back to my hometown", flowers bloom and thank, Yunjuanyunshu, Hutian is still there, people are wrong, and the "hometown" will flow with the passing of water. Once you leave, you can no longer arrive.

6. Love is speechless in the depths. Regarding the hometown, the dilemma of love and hate, of course, the most ideal method is to suspend morality without judgment, and just make a "zero-degree narrative" and state it. Therefore, we have read the most simple and true lover in the history of modern literature since Shen Congwen and Cao Yu.

7. A realist novelist must be a “miscellaneous family” who is familiar with the details of life and has daily life experience. Dudu is good at gambling, rice planting, cattle shedding, weaving nets, fish touching, water digging, digging, picking lotus, picking snails, The folk life experience of the Jianghan Plain water village such as the witch doctor horse foot is clear. These "knowledges" are undoubtedly derived from the writer's personal life experience.

8. In the novel novel narrative, intellectual writing about life experience, labor skills, worldly human heart, customs and folk customs is of great significance. One of the core standards for measuring the value of novel art is the success or failure of intellectual writing. "Poverty Times" has no regrets in terms of intellectual writing, nor is there any impropriety or error. Here, you can imagine the accumulated efforts of life outside the novels written by the writer.

9. The distinctive presence is the concrete embodiment of the truthfulness of Dadu's novel writing. It is also the concrete manifestation of the philosophy of existence that "the world is unkind, treats all things as ruminant dogs", "all things work together, and wait and see what comes back." Dudu's novels describe the real life of the water and countryside of the Jianghan Plain, which has the power to make people's heart and soul.

10. The significance of the original ecology of Dudu's novels is more likely to be misunderstood as historical truth rather than literary aesthetics. And we know that once entering the field of writing, the raw materials of life will passively accept the choice and sublation of the writer, and the creativity of the creative subject will always be implicitly or explicitly reflected in the work. Marxism believes: "Realism means that, in addition to the details, you must realistically reproduce the typical characters in a typical environment." Typical modeling is the golden rule of realistic literary creation, and "Poverty Times" corresponds to Yundong's reading The attention of history has a clear "typical" significance.

Deng Younv, deputy editor-in-chief of China Wenlian Publishing House and responsible editor of "Poverty Times", said: When I set my heart to look at this manuscript, I found the most shining place in the book. A new word was circled by my friend, called Fanxin. What does it mean? Even now there are many local tyrants or upstarts. It can be said that he has made a leap in materiality, dressed in travel, and has the pride of his whole body, but mentally and ideologically, he may not have escaped from his state of poverty before he became rich. The mind is poor, or not particularly rich, and the state of mind is not so high. People need to turn around and leap from their spiritual and ideological realms in order to realize the status and status of aristocracy. Suddenly I felt that the core of Mr. Dudu's expression was probably here.

Professor Yang Bin of Central South University for Nationalities said: The author's description of the characters is very real. What impressed me the most was this strictness. Sometimes the writer is very interesting in describing the characters. For example, when Liu Qing wrote "History of Entrepreneurship", I remember that the impression of Liang Shengbao was not particularly deep, and the impression was made by Liang Sanlao. Ying Geyan is similar to Liang Sanlao. In his work, Ying Geyan used pen more than Liang Sanlaohan. Luo Sha said in the prologue that he was a state of slavery, or that he was a slave character. I don't think so. On the surface, he was very receptive. In fact, he had a tenacious way of living in his bones. He had a strong willpower. He wanted to feed this family, eat enough, not starve, and live a good life. So I think that in that era, most of our farmers were in this state. In that state, they stretched their children and grandchildren. According to the social development at that time, they also assumed a responsibility. From this perspective, I think they are the backbone of the bottom society, not slaves.

"The Yangtze River Series" magazine president Liu Shiwei said: After reading the "poor times" novel of 590,000 fonts, I feel that the work is based on the life of Ying Yundong as a clue, bringing together the village of Jianghan Plain in that very era. The poverty event here is like a museum of poor life, full of poor specimens.

Long Houxiong, a professor at the School of Literature of Yangtze University, analyzed the language characteristics of "Poverty Times" and said: After I read it carefully, I was attracted by the rich Jingchu dialect in the work. I feel like it is a treasure trove of languages in the Jianghan Plain. The first is the dialect slang, which is rich in earthy smell and rich in life, constitutes the individual language of the hometown of fish and rice in the Jianghan Plain. The other is that the sayings and breaks are humorous, playful and humorous, which makes people laugh and laugh. The third is that political terms with a strong era can evoke people's memories of that extraordinary era. Fourth, the pursuit of concise, compact, and rhythmic poetic language (four-character sentences) is fascinating. Fifth, the names of the characters are quite distinctive. There are a lot of names with era marks. Sixth, there are too many dialects and slang words, and even unfamiliar rare languages. Some people worry that it will affect the reading effect.

Li Jianhua, chairman of the Hubei Association of Literary and Theoreticians, said: From the advantages, first, it is very meaningful to describe the poverty survival philosophy of Chinese farmers in the era of poverty. Second, the novel uses a lot of dialects, riddles, rest words, farming proverbs, agricultural life, very wonderful descriptions, filling of details, etc. These things originate from life, but also a high degree of purification and exaggeration of life, at the same time Deconstruction, ridicule, helpless self-deprecation, and a lot of funny and desolate black humor, this is a true portrayal of very low-level farmers.

Xiong Huanjun, editor-in-chief of Hubei Daily, said: The best part of this book is the true, sincere and sincere description of life. "Poverty Times" describes the villages in a specific region and period in such a real, so profound, so broad, and has original ecological characteristics. In this regard, few novels can surpass this one. Not to mention now, that is, in another 20 years, no one else can write about the life he wrote. In this sense, his work is irreplaceable.

Han Yongming, director of the Theory Research Office of Hubei Provincial Writers Association, believes that his son Ying Yundong is both an observer of people and things around him, and a grower of the spirit. Both are both, this writing is a challenge and adventure, but also a successful attempt. This book is indeed a custom painting of the Jianghan Plain. It is wonderful and very good in form. It may not be written by anyone. This is also a feeling of my own respect. This book has a lot of unique value, if you look at this book in a few years, it will be very precious.

Li Fugui, chairman of the Xiantao Writers Association, was unable to attend due to inconvenience in walking, but he sent a speech: After reading it carefully, I found that the novel was surging under the cold whitewash with a surging undercurrent. If you don't see this undercurrent, you won't realize the mystery of the novel. Although there are more than 100 characters written in the novel, these characters are nothing but living in the same state, that is, the state of existence of slavery and enslavement such as good and evil, beauty and ugliness, soft and hard, strength and weakness. With the lever of this undercurrent, if you look at the characters in the novel, you will feel that both the main characters and the secondary characters are particularly old and fresh.

The author of The Age of Poverty, Dado, thanked the leaders, experts and journalists for taking the time to attend. He said that we must gather everyone's guidance and earnestly understand it. One is that it is conducive to the revision of this work, and the other is that it is helpful to the future creation. He will use his life's energy and wisdom to make good use of his pen, produce more good works, conduct positive energy, and make his due contribution to the great era and people we live in!

Moderator Liang Biwen, the chairman, made a final conclusion: It was a thousand people who watched A Dream of Red Mansions, and there were a thousand Lin Daiyu. Today's seminar was very successful. Experts speak freely about the Age of Poverty. The advantages are there, and the shortcomings are there. There are also many shortcomings in the Mao-winning works, even the world famous works. The comments and guidance of experts are of great benefit to writer Dudu's future creations. In short, this is an excellent work that directly reflects the real life in the rural areas of the Jianghan Plain, which is rare. So we need to conduct research and promotion. Warm congratulations once again to the author of the Age of Poverty, Dado!


Writer Dudu (left) interviewed by reporters

Address: Hubei Writers Association, No. 1 Cuiliu Street, Donghu Road, Wuchang District, Wuhan City, Hubei Province Tel: 027-68880616 027-68880679
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Technical Support: Hubei Daily

A history of poverty and hustle and bustle of the Jianghan Plain: A summary of the seminar of Dadu's novel "The Age of Poverty"

2016-10-14 00-00-00

4 15 ,湖北省文联、省作协、仙桃市委宣传部和湖北省民魂文化艺术传媒有限公司在汉联合举办了达度长篇小说《贫困时代》研讨会。 On April 15 , 2016 , the Hubei Cultural Federation, the Provincial Writers Association, the Propaganda Department of the Xiantao Municipal Party Committee, and the Hubei Minhun Culture and Art Media Co., Ltd. jointly held a seminar on the novel "Era of Poverty" in Dadu. 中国作协副主席何建明和中国作协定点深入生活办公室发来的贺信。 The meeting was chaired by Liang Biwen, vice chairman of Hubei Provincial Writers Association, and read the congratulatory letter from He Jianming, vice chairman of China Writers Association , and the office of China Writers Agreement . 仙桃市委宣传部副部长刘纯文等领导出席会议并讲话, 来自省内外的 30 多位作家、评论家樊星、蔚蓝、吴艳、杨彬、李建华、刘保昌、蔡家园、邓友女、刘诗伟、熊唤军、曹军庆、龙厚雄、韩永明、钱道波、刘天琪等与会发言,新华社、人民网、光明网、荆楚网、湖北日报、楚天都市报、湖北电视台、湖北作家网等 10 多家主流媒体进行了现场采访报道。 Leaders such as Zhu Xunji, Party Secretary and Vice Chairman of Hubei Provincial Writers Association, Luo Danqing, member of the Party Group and Vice Chairman of Hubei Cultural Federation, and Liu Chunwen, deputy director of the Propaganda Department of Xiantao Municipal Party Committee, attended the meeting and gave speeches. More than 30 writers and critics from the province and abroad , Wei Lan, Wu Yan, Yang Bin, Li Jianhua, Liu Baochang, Cai Jiayuan, Deng Younv, Liu Shiwei, Xiong Huanjun, Cao Junqing, Long Houxiong, Han Yongming, Qian Daobo, Liu Tianqi, etc., Xinhua News Agency, People's Network More than 10 mainstream media , including Guangming.com, Jingchu.com, Hubei Daily, Chutian Metropolis Daily, Hubei TV, and Hubei Writers Network conducted live interviews and reports.

Participating experts agreed that this work truly, sincerely and honestly showed the life picture of a production team in the Jianghan Plain from 1964 to 1976, and reproduced the living conditions and dreams of farmers in that poverty era in a panoramic manner, emitting a strong area of the Jianghan Plain Cultural atmosphere, known as the "ordinary world" of Jianghan Plain, is a history of poverty and hustle and bustle in Jianghan Plain.

He Jianming, vice chairman of the China Writers Association, sent a congratulatory letter saying that Dudu is a relatively active writer in recent years. He has achieved high achievements in both fiction and reportage, and is praised by everyone. He used novels to scold false and evil, used reportage to sing the truth, goodness and beauty, promoted the main theme, and transmitted positive energy. And his reportage "Myths of Gymnastics" and "The Great Wall of Steel on the Roof of the World" give people a sense of passion and excitement. His novel "Era of Poverty", which represents the original ecology of the water and countryside in the Jianghan Plain, reproduces the life and dreams of working people in that era in a panoramic manner, demonstrates the enslavement of the underlying society and the evolution of democracy, and emits a strong cultural atmosphere in Hubei. It is a realistic work that deserves our attention. In the congratulatory letter, the Office of China ’s Agreement on Intensive Living said that Dudu ’s “Poverty Era”, which reflects the real life theme of the Jianghan Plain, is our people-centered creative orientation, and we carry out the theme of “in-depth life and take root in people” Since then, an excellent literary work has emerged.

Zhu Xunji, secretary of the Party Group and vice chairman of the Hubei Provincial Writers Association, said in his speech: Today we discuss Dudu ’s "Era of Poverty", and for us to better organize writers to go deeper into the life, go to the grassroots, and find more and support literary talents and create To produce more and better literary works, this is where our writing association is. Luo Danqing, vice chairman of the Hubei Federation of Literary and Art Federations, said with deep feeling: When I was reading "Era of Poor Causes", I thought of Lu Yao's "Ordinary World", and my whole feeling was that a story happened on the Yellow Land. One is a story on the Jianghan Plain. This panoramic picture of life finally gave me the philosophy of suffering. Liu Chunwen, deputy director of the Propaganda Department of Xiantao Municipal Party Committee, said: "The Age of Poverty" created by Dudu merged the turbulent and magnificent domestic and foreign situations of the 1960s and 1970s with the rich customs and customs of the Jianghan Plain, and reproduced the lives of working people in that era. With dreams. The depiction of the local customs and folk songs in the Jianghan Plain adds a strong regional cultural atmosphere to the book.

Fan Xing, a professor at the Faculty of Arts of Wuhan University and vice chairman of the Provincial Writers Association, said: Watching Dadu's "Poverty Era" is a very close life. Not only the customs and customs, but also the folk customs, this place is very powerful and spicy. This book really gives people a deep feeling that the original ecology restored the life experience of that era. The wild songs, folk songs, duck catching, games, quizzes, ancient sayings, etc., are a concentrated display of the original ecology of the water village in the Jianghan Plain.

Professor Lan Lan, a professor at the College of Arts of Hubei University, said: "Poverty Times" on the one hand can understand the special situation of Chinese farmers in such a historical background, as well as the living suffering and spiritual confusion experienced by ordinary farmers' families and individuals; You can also see the shaping and growth of personality in the process of narrating the character's growth experience. It is the survival history of countless individuals, even humble little people, which together constitute the history of the Chinese people's survival and spiritual growth.

Professor Wu Yan from the School of Humanities of Jianghan University said: The strength of "Poverty Times", on the one hand, revives the rural life of the Jianghan Plain, it is poor and hustle and bustle; , But in the complex personnel affairs, the survival wisdom and the uncertainty and complexity of human nature are evident.

Cai Jiayuan, deputy director of Hubei Literature and Art Academy believes that realistic creation must adhere to the pursuit of authenticity. Obviously, Dudu's novel follows the principle of authenticity of realist creation, with the courage to face the historical truth, and truly records a period of life that he has personally experienced, so it has special historical cognitive value. The meticulous writing of the details of social life makes literature an encyclopedia. The "Poverty Times" meticulous record of the customs, folk culture, production and life of the Jianghan Plain highlights the cultural cognitive value of literature.

Dr. Liu Baochang, a researcher at the Hubei Academy of Social Sciences, conducted a special study on "The Age of Poverty" in the National Social Science Fund Project "Research on Modern Literature in the Two Lakes from the Perspective of Regional Culture", entitled "Presence and Transcendence: Jianghan Plain The wonderful presentation of regional epics——On Dado's novel The Age of Poverty. Here are some excerpts:

1. Darto's novel The Era of Poverty, with a length of nearly 600,000 words, writes the regional history of the Jianghan Plain, reflecting the construction ambition of preserving historical situation and setting the conclusion for the times. With the narrative passion of the Yangtze River and the majestic momentum of the mountains and tsunami, the novel reproduces the history of the plain water town from 1964 to 1976 in a panoramic manner.

2. A strong sense of presence is a distinctive feature of Dudu's novels. He dares to face the suffering, expose the scars, and expose the truth hidden in the depths of rural history in the sun. At the same time, the rich Jianghan Plain regional cultural style spreads out And the reproduction, to a certain extent, dispelled the cruelty of real history, formed the tension space of narrative structure and emotional expression, and thus realized the aesthetic transcendence of historical presence.

3. "Poverty Times" adopts a strict realistic approach to creative work, making every effort in the context of the novel's occurrence, objective environment, details of life, and expression of experience, and strives to restore the "material" nature of the Jianghan Plain water village in the "Cultural Revolution" era. The sense of existence thus builds a solid and deep narrative basis for the text of the novel.

4. This work takes the fictional plot of the novel and the fate of the characters further within the framework of real historical progress. This method of narrative I call "historical fidelity."

5. Middle-aged Darto traces back the whole process of the "Cultural Revolution" in his writing, naturally using his childhood and adolescents' emotional storage, intertwined with the complex emotions of nostalgia for the hometown and absolute criticism. "I can't go back to my hometown", flowers bloom and thank, Yunjuanyunshu, Hutian is still there, people are wrong, and the "hometown" will flow with the passing of water. Once you leave, you can no longer arrive.

6. Love is speechless in the depths. Regarding the hometown, the dilemma of love and hate, of course, the most ideal method is to suspend morality without judgment, and just make a "zero-degree narrative" and state it. Therefore, we have read the most simple and true lover in the history of modern literature since Shen Congwen and Cao Yu.

7. A realist novelist must be a “miscellaneous family” who is familiar with the details of life and has daily life experience. Dudu is good at gambling, rice planting, cattle shedding, weaving nets, fish touching, water digging, digging, picking lotus, picking snails, The folk life experience of the Jianghan Plain water village such as the witch doctor horse foot is clear. These "knowledges" are undoubtedly derived from the writer's personal life experience.

8. In the novel novel narrative, intellectual writing about life experience, labor skills, worldly human heart, customs and folk customs is of great significance. One of the core standards for measuring the value of novel art is the success or failure of intellectual writing. "Poverty Times" has no regrets in terms of intellectual writing, nor is there any impropriety or error. Here, you can imagine the accumulated efforts of life outside the novels written by the writer.

9. The distinctive presence is the concrete embodiment of the truthfulness of Dadu's novel writing. It is also the concrete manifestation of the philosophy of existence that "the world is unkind, treats all things as ruminant dogs", "all things work together, and wait and see what comes back." Dudu's novels describe the real life of the water and countryside of the Jianghan Plain, which has the power to make people's heart and soul.

10. The significance of the original ecology of Dudu's novels is more likely to be misunderstood as historical truth rather than literary aesthetics. And we know that once entering the field of writing, the raw materials of life will passively accept the choice and sublation of the writer, and the creativity of the creative subject will always be implicitly or explicitly reflected in the work. Marxism believes: "Realism means that, in addition to the details, you must realistically reproduce the typical characters in a typical environment." Typical modeling is the golden rule of realistic literary creation, and "Poverty Times" corresponds to Yundong's reading The attention of history has a clear "typical" significance.

Deng Younv, deputy editor-in-chief of China Wenlian Publishing House and responsible editor of "Poverty Times", said: When I set my heart to look at this manuscript, I found the most shining place in the book. A new word was circled by my friend, called Fanxin. What does it mean? Even now there are many local tyrants or upstarts. It can be said that he has made a leap in materiality, dressed in travel, and has the pride of his whole body, but mentally and ideologically, he may not have escaped from his state of poverty before he became rich. The mind is poor, or not particularly rich, and the state of mind is not so high. People need to turn around and leap from their spiritual and ideological realms in order to realize the status and status of aristocracy. Suddenly I felt that the core of Mr. Dudu's expression was probably here.

Professor Yang Bin of Central South University for Nationalities said: The author's description of the characters is very real. What impressed me the most was this strictness. Sometimes the writer is very interesting in describing the characters. For example, when Liu Qing wrote "History of Entrepreneurship", I remember that the impression of Liang Shengbao was not particularly deep, and the impression was made by Liang Sanlao. Ying Geyan is similar to Liang Sanlao. In his work, Ying Geyan used pen more than Liang Sanlaohan. Luo Sha said in the prologue that he was a state of slavery, or that he was a slave character. I don't think so. On the surface, he was very receptive. In fact, he had a tenacious way of living in his bones. He had a strong willpower. He wanted to feed this family, eat enough, not starve, and live a good life. So I think that in that era, most of our farmers were in this state. In that state, they stretched their children and grandchildren. According to the social development at that time, they also assumed a responsibility. From this perspective, I think they are the backbone of the bottom society, not slaves.

"The Yangtze River Series" magazine president Liu Shiwei said: After reading the "poor times" novel of 590,000 fonts, I feel that the work is based on the life of Ying Yundong as a clue, bringing together the village of Jianghan Plain in that very era. The poverty event here is like a museum of poor life, full of poor specimens.

Long Houxiong, a professor at the School of Literature of Yangtze University, analyzed the language characteristics of "Poverty Times" and said: After I read it carefully, I was attracted by the rich Jingchu dialect in the work. I feel like it is a treasure trove of languages in the Jianghan Plain. The first is the dialect slang, which is rich in earthy smell and rich in life, constitutes the individual language of the hometown of fish and rice in the Jianghan Plain. The other is that the sayings and breaks are humorous, playful and humorous, which makes people laugh and laugh. The third is that political terms with a strong era can evoke people's memories of that extraordinary era. Fourth, the pursuit of concise, compact, and rhythmic poetic language (four-character sentences) is fascinating. Fifth, the names of the characters are quite distinctive. There are a lot of names with era marks. Sixth, there are too many dialects and slang words, and even unfamiliar rare languages. Some people worry that it will affect the reading effect.

Li Jianhua, chairman of the Hubei Association of Literary and Theoreticians, said: From the advantages, first, it is very meaningful to describe the poverty survival philosophy of Chinese farmers in the era of poverty. Second, the novel uses a lot of dialects, riddles, rest words, farming proverbs, agricultural life, very wonderful descriptions, filling of details, etc. These things originate from life, but also a high degree of purification and exaggeration of life, at the same time Deconstruction, ridicule, helpless self-deprecation, and a lot of funny and desolate black humor, this is a true portrayal of very low-level farmers.

Xiong Huanjun, editor-in-chief of Hubei Daily, said: The best part of this book is the true, sincere and sincere description of life. "Poverty Times" describes the villages in a specific region and period in such a real, so profound, so broad, and has original ecological characteristics. In this regard, few novels can surpass this one. Not to mention now, that is, in another 20 years, no one else can write about the life he wrote. In this sense, his work is irreplaceable.

Han Yongming, director of the Theory Research Office of Hubei Provincial Writers Association, believes that his son Ying Yundong is both an observer of people and things around him, and a grower of the spirit. Both are both, this writing is a challenge and adventure, but also a successful attempt. This book is indeed a custom painting of the Jianghan Plain. It is wonderful and very good in form. It may not be written by anyone. This is also a feeling of my own respect. This book has a lot of unique value, if you look at this book in a few years, it will be very precious.

Li Fugui, chairman of the Xiantao Writers Association, was unable to attend due to inconvenience in walking, but he sent a speech: After reading it carefully, I found that the novel was surging under the cold whitewash with a surging undercurrent. If you don't see this undercurrent, you won't realize the mystery of the novel. Although there are more than 100 characters written in the novel, these characters are nothing but living in the same state, that is, the state of existence of slavery and enslavement such as good and evil, beauty and ugliness, soft and hard, strength and weakness. With the lever of this undercurrent, if you look at the characters in the novel, you will feel that both the main characters and the secondary characters are particularly old and fresh.

The author of The Age of Poverty, Dado, thanked the leaders, experts and journalists for taking the time to attend. He said that we must gather everyone's guidance and earnestly understand it. One is that it is conducive to the revision of this work, and the other is that it is helpful to the future creation. He will use his life's energy and wisdom to make good use of his pen, produce more good works, conduct positive energy, and make his due contribution to the great era and people we live in!

Moderator Liang Biwen, the chairman, made a final conclusion: It was a thousand people who watched A Dream of Red Mansions, and there were a thousand Lin Daiyu. Today's seminar was very successful. Experts speak freely about the Age of Poverty. The advantages are there, and the shortcomings are there. There are also many shortcomings in the Mao-winning works, even the world famous works. The comments and guidance of experts are of great benefit to writer Dudu's future creations. In short, this is an excellent work that directly reflects the real life in the rural areas of the Jianghan Plain, which is rare. So we need to conduct research and promotion. Warm congratulations once again to the author of the Age of Poverty, Dado!


Writer Dudu (left) interviewed by reporters

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