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An Ensemble of Elegance and Anxiety——A Summary of Hubei Prose Creations in 2015

Source: "Yangtze River Series" (Comments edition) Published: 2016-06-13 Author: Zhou Xinmin

Hubei Province is a large province of prose, with a long tradition of prose creation, many prose masters such as Bi Ye, Xu Chi, Tian Ye, Wang Weizhou, Zhou Yinan, Xu Lu have emerged. Since the beginning of the new century, Hubei prose has continued to exert its strength. Although its creative achievements can not be compared with novels, it is also immensely spectacular and extraordinarily spectacular. With the strong joining of famous novelists such as Liu Xinglong and Chen Yingsong, Hubei's prose creation in the new century has a different climate. In 2015, the prose creation in Hubei Province continued to write brilliantly, and professional writers and amateur writers joined forces to inject new vitality into the development of Hubei prose.

One

For many readers and researchers, Liu Xinglong is a novelist. However, the fame of the novel's creative achievements concealed the cutting edge of Liu Xinglong's prose creation. In fact, Liu Xinglong is also a prose. He has published prose collections such as "Daughter is a rose planted by his father", "Loneliness is like heavy metal", "Man is a fragile product", and a long essay "How Deep is a Drop of Water". The long essay "How Deep is a Drop of Water" has put forward its own unique thinking on China's land and the Chinese land system, and some views have been written into relevant laws and regulations. Liu Xinglong's collection of essays "Daughter is a rose planted by his father", "Loneliness is like a heavy metal", and "Man is a fragile product", all expressing multi-layered thinking about love, with thick and delicate emotion . The well-known novelist published two collections of essays in "Holding Father Back Home" and "Revisiting" in 2015. Like his novels and previously published collections of prose, his prose still expresses the theme of "love". Liu Xinglong's prose has a comprehensive expression of fatherly love, motherly love, and parent-child love. The essay "Holding Your Father Back to Your Hometown" can be regarded as a representative work of this collection of essays of the same name. The prose focuses on sending his father's ashes back to his hometown for burial, as the main line of emotion, recalls his father's dedication to his family and relatives, and expresses his son's love and guilt for his father. The article is sincere, delicate and euphemistic. "Mother" sets the image of a mother who has devoted most of her life to her family from the details of the relationship with her mother during the New Year. The whole essay is good at capturing the details of daily life, supplemented by the son's perspective, and outlines the spirit of an ordinary mother. "Dadhead" wrote a humorous, funny young father-in-law image in a lyrical and light tone. There is no shortage of Chinese prose history writing his father's popular works, I am afraid it is rare to write father-in-law's prose. Therefore, the important pioneering value of this prose in the subject matter is worth remembering. "Holding Your Father Back to Your Hometown" is not all about writing family relationships. There are also many chapters describing the beautiful feelings of harmonious coexistence between man and city, and between man and nature. Passion for mountains and rivers is the basic characteristic of traditional Chinese prose. Regardless of the ancient Chinese paintings of mountains and rivers, whether it represents the "Bide" aesthetic consciousness between man and nature, or fully embodies the charm of "Changshen", it all embodies the author's beautiful character and beautiful life situation. Appeal. Liu Xinglong's prose has inherited the aesthetic paradigm of ancient Chinese prose. In the writing of landscapes and urban geography, he has placed his praise on the beauty of human nature. For example, the prose such as "Red Cliff Bone", "Three Gorges of Truth", "Humanity Landscape" and "Shenyu Yueyang Tower" all express Liu Xinglong's ideals of humanities in writing landscapes and scenery. Liu Xinglong's prose collection "Revisit" is relatively more focused than "Holding Father Back to Hometown". Chapters like "Revisiting", "Soul Recipe", "My Translation Fu Yushuang", "Difficulty of Fiction", "Fang Cao is a Style", "Literary Seasons and Glory", "Literature Height", "Literary Essence and Frontiers", and more It directly expresses a human intellectual's deep thinking about literature, time, and humanity, and expresses the moral bottom line and humanity position of a writer. "Literary Essence and Frontiers" has this sentence: "If human beings do not care about their own souls, the so-called changing science and technology will become a gamble that ignores science and fame, becomes a technology thug in the cloak of science, without human justice . "This sentence is the finishing touch of Liu Xinglong's" Coming Again ", a collection of prose, like a cry, proclaiming the important value and meaning of" soul "in modern society.

Xie Lun's "Reading Paintings" records the appreciation of a series of Western paintings. However, unlike the painting reviews written by professional painters and art critics, Xie Lun does not deliberately make articles on the appreciation of "art", but instead talks about the life experiences of painting writers and elaborates the thinking caused by painting works. Even in his pen, the painting itself is only a carrier, and he just uses the painting to talk about his life perception. However, in general, in Xie Lun's "Reading Painting Notes", he is to praise the love and affection, and praise the beauty of human nature. Sharon reads paintings, and Plum reads "people." Mei Zi's prose "The Love of Qu Yuan and Plants", "Writing to the Hometown at Dragon Boat Festival", and "Mr. Shen" were written with Qu Yuan and Shen Congwen respectively, and found the glory of humanity in them. Discovering the glorious prose of human nature is also Zhu Chaomin's "Several Slices of Fictional Concubine in Korea". This is a essay for remembering people. When she was young, she attended school at the Southwest United University and was tricked home by her father and mother to get married. The reason why Xun was able to go to school was because of the support of his adoptive father. The condition given by the adoptive father was to marry his own daughter. However, I fled from the cave on the night of my wedding. He fled all the way to the border between China and North Korea, and became a volunteer fighter, and repeatedly made achievements. However, as the leader of the regiment, in order to take revenge on the guards, he actually killed the prisoners and was punished. Because of their unwillingness to draw a class boundary with their adoptive father, the opportunity for promotion was lost one after another. From these experiences of You, we see the image of an ordinary person who adheres to conscience. At the age of sixty, He finally divorced his wife who had no de facto marriage. The uncle of the twilight years walked through his life in his memories. Zhu Zhaomin recounted the love and hatred of an ordinary person, and discovered the moving personality power of ordinary people. Isn't this insistence and stubbornness elegant in human nature?

Er Rong published several essays in 2015. Her essay adopts the writing method of supporting things and expressing her will. She expresses her thoughts on life through various descriptions of the situation and encounters of "things", which is quite talented. Proses such as Ma Zhu and Zhou Ying also have many advantages in expressing their affection and life perception.

two

In traditional society, people value spirit more. "Heavy justice and light profits" constitute the basic value of traditional society. In modern society, the pursuit of material benefits, worship of money, and worship of technology are the basic value pursuits. At the same time that the material wealth of modern society has increased sharply, modern civilization diseases such as moral loss and mental decline have also taken in. Therefore, resisting material desires and resisting technology worship have become an important way of pursuing a spiritual home in modern society. Hubei Prose in 2015 has outstanding performance on this theme.

In 2015, Chen Yingsong published "Writing is a Fight-Chen Yingsong's Literary Lecture Collection". Unlike the essays of writers such as Yu Hua and Ge Fei, Chen Yingsong's essay essays pay more attention to the ethical issues of writing than to the technical issues of writing. In this essay essay, Chen Yingsong started his ethical thinking around "what literature is, what literature is, and how literature is." In Chen Yingsong's view, literary writing is "the legacy of the Middle Ages", which is incompatible with modern society: "Life can be fashionable, but our literature cannot be fashionable. It must maintain a certain distance from fashion because of the ancient tradition of the history of literature To adhere to it, it must have a noble, quaint, unsophisticated quality. The history of literature must penetrate into the people and the corners of our lives, and it must be comparable to the illusions created by political propaganda and commercial excitement. distance". (P. 207) What value is literature as a "heritage" in today's society? Chen Yingsong believes that literature is a struggle against modern society and a solidarity with beauty and justice. How do writers stand in such a society today? In addition to resisting loneliness and resisting temptations, Chen Yingsong also believes that writers should go to the bottom to the real life scene.

Chen Yingsong's "Writing is a Struggle——Chen Yingsong's Lectures on Literary Works" started with resisting the current material society as the basic starting point, and started the ethical thinking of what the current social writers are. Xi Xingquan's prose "Remembering the East Lake" and "Returning Dream" also issued a resistance to the current material society. "Remembrance of East Lake" is a bit like the novel "Tonight's Blizzard" "This is a magical land". "Remembrance of East Lake" puts You Donghu in the background of the era of the Cultural Revolution, and portrays the tranquil beauty of the hustle and bustle of the social environment of the Middle East Lake. However, the author did not just describe the situation of visiting the East Lake in a special era. The writing turned around and described how he felt when facing the current East Lake: "In recent years, although I often go to Wuchang, I often pass by the shore of East Lake. But I do n’t Stay and do n’t go inside. I do n’t think it ’s the East Lake in my memory anymore. I do n’t want to destroy the beauty in my memory. I miss East Lake, of course, there is a component of youth; but the beauty of Dong Lake in memory is not because Youth once added color to it, nor was it because the behavior of remembering the old had put on it a disguised emotion; it did change. East Lake of that year, far from slogans, far from slogans, far from cities, and far from interests. Far away from these things, East Lake It is the East Lake. "In the words of" East Lake's Remembrance ", he expressed his dissatisfaction with the current social life full of hustle and bustle, and nostalgia for the East Lake that was far away from the earth. "Returning Dreams" is nothing more than the common custom of returning home during the Spring Festival. The author renders as much as possible how ancient travellers overcame the hardships of the road, showing the eagerness of travellers to overcome difficulties and eager to return home. However, the author's original intention is not merely to write about the social situation of ancient social travellers returning home. Following this, the author described the convenience of transportation in modern society, and people are still eager to return home. Therefore, "The Dream of Return" came to its own point of view. Although the conditions for the return of modern travellers to the countryside are more modern compared to the ancient society, the dream of returning to the hometown in the ancient society is still as urgent and urgent. From this point of view, "Returning Dream" expresses that "Returning Dream" is still the spiritual home of modern society and an effective way to resist the modern materialized society.

three

Hubei has a long history of agricultural civilization. Compared with the coastal open provinces, Hubei has a heavier agricultural civilization. Hubei, with its vast expanses of lakes, mountains, and hills, is in a "post-emergence" situation in the history of China's modernization. Although Zhang Zhidong's supervision of Hubei once led the country, it was a flash in the pan. With the acceleration of China's modernization process, the pace of Hubei's modernization has also shown an unprecedented rapid leaping trend. The vast rural areas of Hubei have become increasingly involved in the vortex of modernization, and the countryside has suffered from the erosion of modernization. Therefore, looking back at the countryside, writing nostalgia is inevitably the basic theme of Hubei prose.

Xu Lu's prose published in 2015 fully reflects the basic theme of Hubei prose writing nostalgia. "Seven Nights in the Mountain Village" describes the simple customs of "Tanabata Nights" in the mountain villages in the south of Hubei and shows the true emotions of the people in the mountain villages. In the author's pen, the country is so pure and beautiful. "People who wrote Spring Festival couplets for a lifetime" portrays the life of a calligrapher who is rooted in the countryside. This kind and down-to-earth calligrapher added a lot of peace and happiness to the village, and won the love of the folks. However, all kinds of utilitarianism and calculations from the city have broken the heart of this country calligrapher, and even the reasonable wish to join the provincial calligrapher association cannot be realized. "People who wrote a Spring Festival couplet for a lifetime" fully explored the comparison between rural and urban values in the dual contrast structure of rural and urban, showing the author's hatred of "urban disease". "Slim Girl in the Mountain" is a prose written by a person. The fine sisters in the mountain faced school out of poverty many years ago and asked "I" for help. With the help of "I", we were able to survive the crisis. Relying on the tenacity and hard work of the people in the mountains, he was able to complete his studies and work hard in Shanghai to have a career of his own. This essay inadvertently raises a thought-provoking question in the narrative story: Even today, with the rapid development of modernization, the traditional virtues of simplicity, tenacity, and diligence of rural people are still rare and valuable characters. "The Spring in the Hometown" asks about the mountain spring that disappeared in the hometown: "How many generations of that mountain spring have nurtured our village! So cool, so sweet spring water will disappear forever, you will never see it, drink it, you Do n’t you feel bad? Do n’t you feel sorry? Have you all forgotten to go to work in Nianzigou when you were young, and when you are tired and thirsty, you will run to the mountain spring? ” The “tea-picking opera”, which brings vitality to the southern Hubei mountain area, is gradually “hollowing out”, and is facing the threat of extinction. The village is losing vitality and vitality. The "Spring in the Hometown" and "Sweet Tea Mountain Tea" are written in the disappeared rural natural objects and cultures respectively, expressing deep thoughts on the modern and hollowed-out rural material lifeline and spiritual lifeline.

Shen Hongguang's essay "Notes to the Second Shed: Old Man Jia", "No 'Ang' has no spirit"-Zhuxi, the hometown of folk songs, picks up the wind, and several essays by Xu Lu have similar meanings. These two essays are mainly anecdotes about folk culture people. "The Story of the Second Shed: Old Man Jia" tells the story of the artist "Laoyang Huagu Opera", the old man Jia. The prose focuses on capturing the details of Lao Jia's life, and reappears Lao Jia's sense of justice, casualness, and love of folk art. "" No Ang "has no spirit"-the folk song of Zhuxi Xiangba Township, the main line of collecting wind in Zhuxi Country, the main line, showing the folk singers love life and art. These two essays, on the surface, write about the people and things in the countryside, but they have the connotation of acupuncture in urban civilization. "Li Yeqiu Zhuye" is a long-standing tradition in China. It was the arrogance of urban utilitarianism that led the author to seek the wildness and vitality of the people. I think this is the main reason why the author frequently goes to folk gatherings in recent years.

Rural narrative is naturally an important motif of Hubei prose. Many writers invariably use the pursuit of the peach blossom source as the driving force for prose creation, but there are not many prose such as Xu Lu and Shen Hongguang. Shu Feilian said in his essay "Rebuilding the Home of Maple and Poplar": "Of course, the city is demolishing and occupying the peasants' land. It is more troublesome, or it has snatched the young people from the countryside and broken the chain of its blood relationship— —A village without youth's sweat and dreams, a village that has lost the rituals of growth and death, will be 'returned to nature' by the myth, formatted as 'green workshops' and 'ecological farms' run by the company. The erosion of the countryside has become a new narrative growth point of the rural narrative, but how to "rebuild the peach blossom source" still needs a lot of efforts from essayists.

four

There is a tradition of Xiuzhi in ancient China, leaving a lot of local history. Local chronicles are works that record the natural features, geomorphology, social conditions, and history of a place, and belong to the category of history. According to administrative divisions, there are mainly two types of local chronicles: prefecture and county. Although local history belongs to the category of historical writings, since the 1990s, many writers have borrowed the style of local history and created excellent novels, such as "Maqiao Dictionary" by Han Shaogong, "Shangtang Book" by Sun Huifen, and "Living by Yan Lianke" "And so on are excellent works that use local styles. The poem "Jianghuzhi" of the sentinel in our province is a representative work of using the connotation of local chronicles to create excellent poetry. Prose, such as sceneries, characters, styles, and languages, that describe a place is probably counted as local prose. In the history of Chinese prose, there are countless masterpieces of fictional prose, and even nowadays, excellent fictional prose has appeared frequently. Ye Guangyu ’s long essay "Old County", Peng Jianming's long essay "Pingjiang", Zhu Hong's "Chang'an is the Heart of China", Pei Gaicai's "Wu Zhi Can't Make a Town", Kong Fansheng's "Lao Tong Shan", Both can be summarized in the long-form prose or prose collection. Fanfu's "Xiangyang Business Card" published in 2015 can be regarded as a long-form prose.

"Xiangyang Business Card", as the name suggests, uses Xiangyang as the writing object. Xiangyang is a historical and cultural city with a long history and beautiful scenery. The literati writers of successive dynasties left many excellent works for Xiangyang. Only the Tang Dynasty, the famous poets Li Bai, Du Fu, Bai Juyi, Wang Wei, Meng Haoran, and so on, have left poems for the city. The poems left by the ancient outstanding poets became the material of Fanfu's writings. According to Xiangyang's scenic spots, celebrities, and famous songs, Fanfu is divided into several chapters, "Scenic Spots", "Scenic Spots", "Celebrities", and "Famous Music", to introduce the city of Xiangyang. When introducing a place of scenery, a place of interest, a celebrity, a famous song, Fanfu selects the verses related to this scenery, this thing, this person, this song, and uses free and flexible narrative methods, using essay writing, to marry Come to the relationship between poetry and Xiangyang, and take a comparatively comprehensive introduction to the landscape, customs, humanities, and history of Xiangyang, a famous historical and cultural city.

Fanfu uses poetry associated with Xiangyang's famous places, famous scenes, celebrities, and famous songs as writing objects to inject poetry into modern cities. Modern cities use reinforced concrete as a building material, one side of the thousand cities; modern cities take economic development as the basic goal of urban development, full of desire. Fanfu focused on Xiangyang, a poetic city, to find a poetic lifestyle for modern cities. In 2015, Chen Yingsong published essays such as "South of the Tianshan Mountains", "Rice Town Aden in Shambhala", "Hexi Corridor" and "Love in the Great Lakes". These essays basically introduce the local customs, history, landforms, and customs. However, when Chen Yingsong dealt with these materials, he was most concerned about discovering historical stories related to one place. "Hexi Corridor Line" focused on several places such as Wuwei, Shandan Army Racecourse, Zhangye, Jiayuguan, etc. on the way to the Hexi Corridor. Although every place he writes, Chen Yingsong will give a detailed introduction to the local history, geography and humanities. However, Chen Yingsong valued the historical allusions here. Like this "Hexi Corridor", Chen Yingsong is most concerned about historical stories in Wuwei, Shandan Army Racecourse, Zhangye, Jiayuguan and other places. In the section "Wu Wei", Chen Yingsong pointed his strokes at Kumorosh and the frontier soldiers stationed in Wu Wei. In the words, he praised these soldiers who created spiritual civilization and stable frontiers in the desolate land. In the section of "Shandan Army Racecourse", Chen Yingsong mainly praised the historical miracle created by the world's largest military racecourse with a long history. The section "Zhang Huan" mainly introduces the efforts made by monks and nuns at the Great Buddha Temple to protect the "Northern Tibet of the Three Religious Sects of the Daming," and praises all the sacrifices sacrificed to protect the historical and cultural heritage. All these historical stories have become the focus of Chen Yingsong's writing. From the writing of these historical stories, we can clearly perceive the splendor of ancient Chinese culture, and we are also moved by those Chinese who have worked hard and worked hard to create and protect China's splendid civilization.

Xie Lun's "Five Records of the Western Hubei People", as the name suggests, mainly describes the characters and living habits of the five western Hubei people, similar to the "character records" in the Fang Zhi. "Historical Records" is an important content of ancient Chinese local history. It gives full play to the characteristics of ancient Chinese chronicles, and writes person-like characters, taking the divinity as the main point. Xie Lun absorbed the narrative tradition of ancient Chinese chronicles, and used the method of freehand drawing to capture a few characteristics of the characters in the pen, which fully expressed the character and personality of the characters. "Leizi and Green Bamboo" revolves around two people's loyalty to love and writes a generation of love legends; "Chou Youzhi" revolves around the ambiguity of the characters' surnames and describes the miserable life of an ordinary person; "Huang "Four Children" focused on Huang Sier's expertise in fishing for yellow crickets, and began the ups and downs of the characters 'destiny; the other two sections also grasped a certain characteristic of the characters and unfolded the fate of the characters' lives. This biographical style is based on expressiveness and focuses on the fate of the characters, which is quite aesthetically interesting.

   年湖北散文虽然创作数量庞大,精品却不多。 Although Hubei Prose in 2015 has a large number of creations, there are not many fine works. This has something to do with the author's views on prose. On the surface, the threshold for prose creation is relatively low. However, it requires the author to have a rich emotional and ideological background. I sincerely hope that Hubei prose writers can work hard on "internal force" and create more excellent prose.

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An Ensemble of Elegance and Anxiety——A Summary of Hubei Prose Creations in 2015

2016-06-13 00-00-00

Hubei Province is a large province of prose, with a long tradition of prose creation, many prose masters such as Bi Ye, Xu Chi, Tian Ye, Wang Weizhou, Zhou Yinan, Xu Lu have emerged. Since the beginning of the new century, Hubei prose has continued to exert its strength. Although its creative achievements can not be compared with novels, it is also immensely spectacular and extraordinarily spectacular. With the strong joining of famous novelists such as Liu Xinglong and Chen Yingsong, Hubei's prose creation in the new century has a different climate. In 2015, the prose creation in Hubei Province continued to write brilliantly, and professional writers and amateur writers joined forces to inject new vitality into the development of Hubei prose.

One

For many readers and researchers, Liu Xinglong is a novelist. However, the fame of the novel's creative achievements concealed the cutting edge of Liu Xinglong's prose creation. In fact, Liu Xinglong is also a prose. He has published prose collections such as "Daughter is a rose planted by his father", "Loneliness is like heavy metal", "Man is a fragile product", and a long essay "How Deep is a Drop of Water". The long essay "How Deep is a Drop of Water" has put forward its own unique thinking on China's land and the Chinese land system, and some views have been written into relevant laws and regulations. Liu Xinglong's collection of essays "Daughter is a rose planted by his father", "Loneliness is like a heavy metal", and "Man is a fragile product", all expressing multi-layered thinking about love, with thick and delicate emotion . The well-known novelist published two collections of essays in "Holding Father Back Home" and "Revisiting" in 2015. Like his novels and previously published collections of prose, his prose still expresses the theme of "love". Liu Xinglong's prose has a comprehensive expression of fatherly love, motherly love, and parent-child love. The essay "Holding Your Father Back to Your Hometown" can be regarded as a representative work of this collection of essays of the same name. The prose focuses on sending his father's ashes back to his hometown for burial, as the main line of emotion, recalls his father's dedication to his family and relatives, and expresses his son's love and guilt for his father. The article is sincere, delicate and euphemistic. "Mother" sets the image of a mother who has devoted most of her life to her family from the details of the relationship with her mother during the New Year. The whole essay is good at capturing the details of daily life, supplemented by the son's perspective, and outlines the spirit of an ordinary mother. "Dadhead" wrote a humorous, funny young father-in-law image in a lyrical and light tone. There is no shortage of Chinese prose history writing his father's popular works, I am afraid it is rare to write father-in-law's prose. Therefore, the important pioneering value of this prose in the subject matter is worth remembering. "Holding Your Father Back to Your Hometown" is not all about writing family relationships. There are also many chapters describing the beautiful feelings of harmonious coexistence between man and city, and between man and nature. Passion for mountains and rivers is the basic characteristic of traditional Chinese prose. Regardless of the ancient Chinese paintings of mountains and rivers, whether it represents the "Bide" aesthetic consciousness between man and nature, or fully embodies the charm of "Changshen", it all embodies the author's beautiful character and beautiful life situation. Appeal. Liu Xinglong's prose has inherited the aesthetic paradigm of ancient Chinese prose. In the writing of landscapes and urban geography, he has placed his praise on the beauty of human nature. For example, the prose such as "Red Cliff Bone", "Three Gorges of Truth", "Humanity Landscape" and "Shenyu Yueyang Tower" all express Liu Xinglong's ideals of humanities in writing landscapes and scenery. Liu Xinglong's prose collection "Revisit" is relatively more focused than "Holding Father Back to Hometown". Chapters like "Revisiting", "Soul Recipe", "My Translation Fu Yushuang", "Difficulty of Fiction", "Fang Cao is a style", "Literary Seasons and Glory", "Literature Height", "Literary Essence and Border" It directly expresses a human intellectual's deep thinking about literature, time, and humanity, and expresses the moral bottom line and humanity position of a writer. "Literary Essence and Frontiers" has this sentence: "If human beings do not care about their own souls, the so-called changing science and technology will become a gamble that ignores science and fame, becomes a technology thug in the cloak of science, without human justice . "This sentence is the finishing touch of Liu Xinglong's" Coming Again ", a collection of prose, like a cry, proclaiming the important value and meaning of" soul "in modern society.

Xie Lun's "Reading Paintings" records the appreciation of a series of Western paintings. However, unlike the painting reviews written by professional painters and art critics, Xie Lun does not deliberately make articles on the appreciation of "art", but instead talks about the life experiences of painting writers and elaborates the thinking caused by painting works. Even in his pen, the painting itself is only a carrier, and he just uses the painting to talk about his life perception. However, in general, in Xie Lun's "Reading Painting Notes", he is to praise the love and affection, and praise the beauty of human nature. Sharon reads paintings, and Plum reads "people." Mei Zi's prose "The Love of Qu Yuan and Plants", "Writing to the Hometown at Dragon Boat Festival", and "Mr. Shen" were written with Qu Yuan and Shen Congwen respectively, and found the glory of humanity in them. Discovering the glorious prose of human nature is also Zhu Chaomin's "Several Slices of Fictional Concubine in Korea". This is a essay for remembering people. When she was young, she attended school at the Southwest United University and was tricked home by her father and mother to get married. The reason why Xun was able to go to school was because of the support of his adoptive father. The condition given by the adoptive father was to marry his own daughter. However, I fled from the cave on the night of my wedding. He fled all the way to the border between China and North Korea, and became a volunteer fighter, and repeatedly made achievements. However, as the leader of the regiment, in order to take revenge on the guards, he actually killed the prisoners and was punished. Because of their unwillingness to draw a class boundary with their adoptive father, the opportunity for promotion was lost one after another. From these experiences of You, we see the image of an ordinary person who adheres to conscience. At the age of sixty, He finally divorced his wife who had no de facto marriage. The uncle of the twilight years walked through his life in his memories. Zhu Zhaomin recounted the love and hatred of an ordinary person, and discovered the moving personality power of ordinary people. Isn't this insistence and stubbornness elegant in human nature?

Er Rong published several essays in 2015. Her essay adopts the writing method of supporting things and expressing her will. She expresses her thoughts on life through various descriptions of the situation and encounters of "things", which is quite talented. Proses such as Ma Zhu and Zhou Ying also have many advantages in expressing their affection and life perception.

two

In traditional society, people value spirit more. "Heavy justice and light profits" constitute the basic value of traditional society. In modern society, the pursuit of material benefits, worship of money, and worship of technology are the basic value pursuits. At the same time that the material wealth of modern society has increased sharply, modern civilization diseases such as moral loss and mental decline have also taken in. Therefore, resisting material desires and resisting technology worship have become an important way of pursuing a spiritual home in modern society. Hubei Prose in 2015 has outstanding performance on this theme.

In 2015, Chen Yingsong published "Writing is a Fight-Chen Yingsong's Literary Lecture Collection". Unlike the essays of writers such as Yu Hua and Ge Fei, Chen Yingsong's essay essays pay more attention to the ethical issues of writing than to the technical issues of writing. In this essay essay, Chen Yingsong started his ethical thinking around "what literature is, what literature is, and how literature is." In Chen Yingsong's view, literary writing is "the legacy of the Middle Ages", which is incompatible with modern society: "Life can be fashionable, but our literature cannot be fashionable. It must maintain a certain distance from fashion because of the ancient tradition of the history of literature To adhere to it, it must have a noble, quaint, unsophisticated quality. The history of literature must penetrate into the people and the corners of our lives, and it must be comparable to the illusions created by political propaganda and commercial excitement. distance". (P. 207) What value is literature as a "heritage" in today's society? Chen Yingsong believes that literature is a struggle against modern society and a solidarity with beauty and justice. How do writers stand in such a society today? In addition to resisting loneliness and resisting temptations, Chen Yingsong also believes that writers should go to the bottom to the real life scene.

Chen Yingsong's "Writing is a Struggle——Chen Yingsong's Lectures on Literary Works" started with resisting the current material society as the basic starting point, and started the ethical thinking of what the current social writers are. Xi Xingquan's prose "Remembering the East Lake" and "Returning Dream" also issued a resistance to the current material society. "Remembrance of East Lake" is a bit like the novel "Tonight's Blizzard" "This is a magical land". "Remembrance of East Lake" puts You Donghu in the background of the era of the Cultural Revolution, and portrays the tranquil beauty of the hustle and bustle of the social environment of the Middle East Lake. However, the author did not just describe the situation of visiting the East Lake in a special era. The writing turned around and described how he felt when facing the current East Lake: "In recent years, although I often go to Wuchang, I often pass by the shore of East Lake. But I do n’t Stay and do n’t go inside. I do n’t think it ’s the East Lake in my memory anymore. I do n’t want to destroy the beauty in my memory. I miss East Lake, of course, there is a component of youth; but the beauty of Dong Lake in memory is not because Youth once added color to it, nor was it because the behavior of remembering the old had put on it a disguised emotion; it did change. East Lake of that year, far from slogans, far from slogans, far from cities, and far from interests. Far away from these things, East Lake It is the East Lake. "In the words of" East Lake's Remembrance ", he expressed his dissatisfaction with the current social life full of hustle and bustle, and nostalgia for the East Lake that was far away from the earth. "Returning Dreams" is nothing more than the common custom of returning home during the Spring Festival. The author renders as much as possible how ancient travellers overcame the hardships of the road, showing the eagerness of travellers to overcome difficulties and eager to return home. However, the author's original intention is not merely to write about the social situation of ancient social travellers returning home. Following this, the author described the convenience of transportation in modern society, and people are still eager to return home. Therefore, "The Dream of Return" came to its own point of view. Although the conditions for the return of modern travellers to the countryside are more modern compared to the ancient society, the dream of returning to the hometown in the ancient society is still as urgent and urgent. From this point of view, "Returning Dream" expresses that "Returning Dream" is still the spiritual home of modern society and an effective way to resist the modern materialized society.

three

Hubei has a long history of agricultural civilization. Compared with the coastal open provinces, Hubei has a heavier agricultural civilization. Hubei, with its vast expanses of lakes, mountains, and hills, is in a "post-emergence" situation in the history of China's modernization. Although Zhang Zhidong's supervision of Hubei once led the country, it was a flash in the pan. With the acceleration of China's modernization process, the pace of Hubei's modernization has also shown an unprecedented rapid leaping trend. The vast rural areas of Hubei have become increasingly involved in the vortex of modernization, and the countryside has suffered from the erosion of modernization. Therefore, looking back at the countryside, writing nostalgia is inevitably the basic theme of Hubei prose.

Xu Lu's prose published in 2015 fully reflects the basic theme of Hubei prose writing nostalgia. "Seven Nights in the Mountain Village" describes the simple customs of "Tanabata Nights" in the mountain villages in the south of Hubei and shows the true emotions of the people in the mountain villages. In the author's pen, the country is so pure and beautiful. "People who wrote Spring Festival couplets for a lifetime" portrays the life of a calligrapher who is rooted in the countryside. This kind and down-to-earth calligrapher added a lot of peace and happiness to the village, and won the love of the folks. However, all kinds of utilitarianism and calculations from the city have broken the heart of this country calligrapher, and even the reasonable wish to join the provincial calligrapher association cannot be realized. "People who wrote a Spring Festival couplet for a lifetime" fully explored the comparison between rural and urban values in the dual contrast structure of rural and urban, showing the author's hatred of "urban disease". "Slim Girl in the Mountain" is a prose written by a person. The fine sisters in the mountain faced school out of poverty many years ago and asked "I" for help. With the help of "I", we were able to survive the crisis. Relying on the tenacity and hard work of the people in the mountains, he was able to complete his studies and work hard in Shanghai to have a career of his own. This essay inadvertently raises a thought-provoking question in the narrative story: Even today, with the rapid development of modernization, the traditional virtues of simplicity, tenacity, and diligence of rural people are still rare and valuable characters. "The Spring in the Hometown" asks about the mountain spring that disappeared in the hometown: "How many generations of that mountain spring have nurtured our village! So cool, so sweet spring water will disappear forever, you will never see it, drink it, you Do n’t you feel bad? Do n’t you feel sorry? Have you all forgotten to go to work in Nianzigou when you were young, and when you are tired and thirsty, you will run to the mountain spring? ” The “tea-picking opera”, which brings vitality to the southern Hubei mountain area, is gradually “hollowing out”, and is facing the threat of extinction. The village is losing vitality and vitality. The "Spring in the Hometown" and "Sweet Tea Mountain Tea" are written in the disappeared rural natural objects and cultures respectively, expressing deep thoughts on the modern and hollowed-out rural material lifeline and spiritual lifeline.

Shen Hongguang's essay "Notes to the Second Shed: Old Man Jia", "No 'Ang' has no spirit"-Zhuxi, the hometown of folk songs, picks up the wind, and several essays by Xu Lu have similar meanings. These two essays are mainly anecdotes about folk culture people. "The Story of the Second Shed: Old Man Jia" tells the story of the artist "Laoyang Huagu Opera", the old man Jia. The prose focuses on capturing the details of Lao Jia's life, and reappears Lao Jia's sense of justice, casualness, and love of folk art. "" No Ang "has no spirit"-the folk song of Zhuxi Xiangba Township, the main line of collecting wind in Zhuxi Country, the main line, showing the folk singers love life and art. These two essays, on the surface, write about the people and things in the countryside, but they have the connotation of acupuncture in urban civilization. "Li Yeqiu Zhuye" is a long-standing tradition in China. It was the arrogance of urban utilitarianism that led the author to seek the wildness and vitality of the people. I think this is the main reason why the author frequently goes to folk gatherings in recent years.

Rural narrative is naturally an important motif of Hubei prose. Many writers invariably use the pursuit of the peach blossom source as the driving force for prose creation, but there are not many prose such as Xu Lu and Shen Hongguang. Shu Feilian said in his essay "Rebuilding the Home of Maple and Poplar": "Of course, the city is demolishing and occupying the peasants' land. It is more troublesome, or it has snatched the young people from the countryside and broken the chain of its blood relationship— —A village without youth's sweat and dreams, a village that has lost the rituals of growth and death, will be 'returned to nature' by the myth, formatted as 'green workshops' and 'ecological farms' run by the company. The erosion of the countryside has become a new narrative growth point of the rural narrative, but how to "rebuild the peach blossom source" still needs a lot of efforts from essayists.

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There is a tradition of Xiuzhi in ancient China, leaving a lot of local history. Local chronicles are works that record the natural features, geomorphology, social conditions, and history of a place, and belong to the category of history. According to administrative divisions, there are mainly two types of local chronicles: prefecture and county. Although local history belongs to the category of historical writings, since the 1990s, many writers have borrowed the style of local history and created excellent novels, such as "Maqiao Dictionary" by Han Shaogong, "Shangtang Book" by Sun Huifen, and "Living by Yan Lianke" "And so on are excellent works that use local styles. The poem "Jianghuzhi" of the sentinel in our province is a representative work of using the connotation of local chronicles to create excellent poetry. Prose, such as sceneries, characters, styles, and languages, that describe a place is probably counted as local prose. In the history of Chinese prose, there are countless masterpieces of fictional prose, and even nowadays, excellent fictional prose has appeared frequently. Ye Guangyu ’s long essay "Old County", Peng Jianming's long essay "Pingjiang", Zhu Hong's "Chang'an is the Heart of China", Pei Gaicai's "Wu Zhi Can't Make a Town", Kong Fansheng's "Lao Tong Shan", etc. Both can be summarized in the long-form prose or prose collection. Fanfu's "Xiangyang Business Card" published in 2015 can be regarded as a long-form prose.

"Xiangyang Business Card", as the name suggests, uses Xiangyang as the writing object. Xiangyang is a historical and cultural city with a long history and beautiful scenery. The literati writers of successive dynasties left many excellent works for Xiangyang. Only the Tang Dynasty, the famous poets Li Bai, Du Fu, Bai Juyi, Wang Wei, Meng Haoran, and so on, have left poems for the city. The poems left by the ancient outstanding poets became the material of Fanfu's writings. According to Xiangyang's scenic spots, celebrities, and famous songs, Fanfu is divided into several chapters, "Scenic Spots", "Scenic Spots", "Celebrities", and "Famous Music", to introduce the city of Xiangyang. When introducing a place of scenery, a place of interest, a celebrity, a famous song, Fanfu selects the verses related to this scenery, this thing, this person, this song, and uses free and flexible narrative methods, using essay writing, to marry Come to the relationship between poetry and Xiangyang, and take a comparatively comprehensive introduction to the landscape, customs, humanities, and history of Xiangyang, a famous historical and cultural city.

Fanfu uses poetry associated with Xiangyang's famous places, famous scenes, celebrities, and famous songs as writing objects to inject poetry into modern cities. Modern cities use reinforced concrete as a building material, one side of the thousand cities; modern cities take economic development as the basic goal of urban development, full of desire. Fanfu focused on Xiangyang, a poetic city, to find a poetic lifestyle for modern cities. In 2015, Chen Yingsong published essays such as "South of the Tianshan Mountains", "Rice Town Aden in Shambhala", "Hexi Corridor" and "Love in the Great Lakes". These essays basically introduce the local customs, history, landforms, and customs. However, when Chen Yingsong dealt with these materials, he was most concerned about discovering historical stories related to one place. "Hexi Corridor Line" focused on several places such as Wuwei, Shandan Army Racecourse, Zhangye, Jiayuguan, etc. on the way to the Hexi Corridor. Although every place he writes, Chen Yingsong will give a detailed introduction to the local history, geography and humanities. However, Chen Yingsong valued the historical allusions here. Like this "Hexi Corridor", Chen Yingsong is most concerned about historical stories in Wuwei, Shandan Army Racecourse, Zhangye, Jiayuguan and other places. In the section "Wu Wei", Chen Yingsong pointed his strokes at Kumorosh and the frontier soldiers stationed in Wu Wei. In the words, he praised these soldiers who created spiritual civilization and stable frontiers in the desolate land. In the section of "Shandan Army Racecourse", Chen Yingsong mainly praised the historical miracle created by the world's largest military racecourse with a long history. The section "Zhang Huan" mainly introduces the efforts made by monks and nuns at the Great Buddha Temple to protect the "Northern Tibet of the Three Religious Sects of the Daming," and praises all the sacrifices sacrificed to protect the historical and cultural heritage. All these historical stories have become the focus of Chen Yingsong's writing. From the writing of these historical stories, we can clearly perceive the splendor of ancient Chinese culture, and we are also moved by those Chinese who have worked hard and worked hard to create and protect China's splendid civilization.

Xie Lun's "Five Records of the Western Hubei People", as the name suggests, mainly describes the characters and living habits of the five western Hubei people, similar to the "character records" in the Fang Zhi. "Historical Records" is an important content of ancient Chinese local history. It gives full play to the characteristics of ancient Chinese chronicles, and writes person-like characters, taking the divinity as the main point. Xie Lun absorbed the narrative tradition of ancient Chinese chronicles, and used the method of freehand drawing to capture a few characteristics of the characters in the pen, which fully expressed the character and personality of the characters. "Leizi and Green Bamboo" revolves around two people's loyalty to love and writes a generation of love legends; "Chou Youzhi" revolves around the ambiguity of the characters' surnames and describes the miserable life of an ordinary person; "Huang "Four Children" focused on Huang Sier's expertise in fishing for yellow crickets, and began the ups and downs of the characters 'destiny; the other two sections also grasped a certain characteristic of the characters and unfolded the fate of the characters' lives. This biographical style is based on expressiveness and focuses on the fate of the characters, which is quite aesthetically interesting.

   年湖北散文虽然创作数量庞大,精品却不多。 Although Hubei Prose in 2015 has a large number of creations, there are not many fine works. This has something to do with the author's views on prose. On the surface, the threshold for prose creation is relatively low. However, it requires the author to have a rich emotional and ideological background. I sincerely hope that Hubei prose writers can work hard on "internal force" and create more excellent prose.

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