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A Probe into the Origin of the Bandwife Thinking Mode of Novel Creation——From Several Love Story of Her

Source: Hubei Writers Network Published: 2014-11-25 Author: Li Congcong

Her novels have always been popular among her fans for their high hit rates on the Internet, high TV adaptation rates, and high sales. Over time, her name has become equal to the mainland's reputation for "sorrowful queen" and has become brilliant. For "gangsters", this statement is obviously too conservative, and they want to extend the evaluation radius to the whole of China, and even to Southeast Asia. 40 岁的女性构成,且多为白领。 According to a survey, the readership of Bandit's Fiction is mainly composed of women aged 14 to 40 , and most of them are white-collar workers. The large age span of readers and the wide range of recipients have made this original romance novel brand gradually recognized by the market and began to form a social phenomenon.

One

 

The love novels that I think of can be regarded only as a new variant of the ancient "genius and beauties novels" in structure. In ancient times, novels such as "Yu Jiao Pear" and "Heng Shan Leng Yan" followed the basic model of talent and beauty in the setting of main characters. It is only in the novels of Bandit I that the "genius" is replaced by the richest man's brother or the faction in power. Origins are a common footnote to their identity. The actor in her novels, whether it's Ruan Zhengdong in A Dream Like A Dream, Mo Shaoqian in A Thousand Mountains and Twilight Snow, or Murong Yu in A Time To Say I Love You, failed to cross the fence . The heroines are lonely and valiant, clever as Tong Xue, and clinging as Yin Jinglian. They are all flowers as beautiful as women. They all have good looks and good temperament. But unlike in the past, the first part of "The Gifted and the Beautiful Meet" was changed in the novels I think of. The "beautiful" often met the "genius" unwillingly or as a last resort: The best time in "A Good Time Like a Dream" was to avoid the entanglement of the company's brother into the company and accidentally caught the life-saving straw Ruan Zhengdong; Tong Xue in "A Thousand Mountains and Twilight Snow" is worried that he was intimidated and lured by the death penalty for corruption, and committed to Mo Shaoqian, who has long been eager to flee; and in "Too Late to Say I Love You", Yin Jinglian is even more to rescue The fiancé Xu Jianzhang, who was behind bars, was included in Murong's dramatic life track. At the same time, in the setting of the plot, the writer used to start with a climax, and began the plot with fierce drama conflicts, the grass and snakes, and the fine lines. The structural way of the beginning and the climax also further dispelled the plot trend of "Private Lifetime Garden", making the development of emotions move forward slowly in the tortuous plot. The "little man" in the traditional "genius and beauties novel" has also been replaced by the "predecessor", witnessing the emotional journey of the "beauty" in the multi-angled love-hate relationship, and also pulling ups and downs. The "little man" in the traditional novels is set up to prove good things and to test the love of the hero and heroine as a touchstone. In the latter case, the role of the "predecessor" is undoubtedly more obvious. Of course, this new change is reflected in the end of the story at a deeper level: the traditional gifted and beautiful novels generally follow the routine of "the troubled boy and the champion", and this is a marriage reunion. China almost disappeared, replaced by life and death. The plot often ends abruptly when love develops into a feverish stage. The tragic ending leaves a series of colons in the story, giving readers unlimited interpretation possibilities. It should be noted that in the arrangement of roles and plots, instead of trying to “close to reality, close to life, and close to the masses”, the author insists on characters and scenes that readers are not familiar with: the characters are “genius”, “beauty”, and the plot. Most of them are grudges, but their feelings are violent. The "unfamiliarization" of characters and plots is more like forged to satisfy the readers 'imagination, but it is not available, but its "retreat" can satisfy readers' long-suppressed all kinds of fantasy that cannot be realized in reality, which is closer. A state of "self" release.

 

two

 

The expression of "abuse love" is the original background of Bandai Sicun's novel creation, and it is also a basic framework for constructing her own "genius and beauty novel" type. This also made her novel creation fail to expand beyond the theme of love. Even in the novel of love theme, her work was painted with a uniform tone because of the "abuse" mode: sadness . The "abuse of love" mentioned here is not a physiological concept, nor is it completely equivalent to the self-defense mechanism in the psychological sense. The "abuse" here focuses on emphasizing the feeling that is brought to the reader, and this feeling is corresponding to ordinary love relationships. "Bad love" is a kind of malformed love. Compared with ordinary love, "battered love" has only a process without results. It is a sad and heart-feeling love. From the beginning, it leads to corruption and destruction.

This "abuse" model first showed a morbidity in the process. This morbid nature is different from the true feelings of the "petty bourgeoisie" writers like modern "petty bourgeoisie" writers. It is more like a disease-free moan, a gesture pretending to cater to some readers' psychology. The hero in her novel can be said to be the creator of this pathological process. Most of them have imperfect personality traits, and distorted the mentality of possessive revenge, unable to correctly recognize themselves. In "A Good Day Is Like a Dream", Ruan Zhengdong's motive for approaching Youjia was just pure revenge. His best brother, Meng Heping, was broken by the breakup proposed by You Jiaqi. Through the entire Pacific Ocean, he heard Meng The cry of peace has nothing to do. Later, he looked for a chance to approach her, gave her flowers, and called her. "If you get hooked, I'm going to dump you right away and report the sword of my best brother for years ago." However, the author arranged that Ruan Zhengdong also fell in love with such a "neither clever, nor pretty, even a little stupid" woman. The fact that Ruan Zhengdong suffered from liver cancer shortly after the opening was more like a physiological spread of psychological morbidity, or a physical manifestation of psychological morbidity. The love flower of the two of them is based on revenge, and lacks the watering of "Gan Lin", after all, it is difficult to produce full fruits. Mo Shaoqian in "A Thousand Mountains and Twilight" left Tong Xue by his side in order to report his father's revenge, hoping to make Tong Xue's life worse by "repaying his father's debts". But the author also arranged that Mo Shaoqian fell in love with Tong Xue unknowingly. But compared with Ruan Zhengdong, his love is more domineering and more distorted, and it appears from time to time with ill possession. It is worth mentioning that his wife, Mu Yongfei, is also a kind of deprivation of love to Mo Shaoqian rather than broken. Physical control and possession is rather an instinctive reaction to the psychological fear of losing and craving possession. The physical and psychological refutations reflect the spiritual dilemma of craving for love but not love, and to some extent the emptiness and extravagance of the minds of the rich class like a dream bubble. In "Too Late to Say I Love You", time has passed to troubled times, the workplace has been replaced by a battlefield, and the rich second generation has also been replaced by a marshal who only covers the sky. Murong Yu has the power to kill and kill. Yin Jingying put her hands up in the world, and after a few years, she learned that when she had a daughter with someone, she brutally destroyed what he could not get at the cost of the life of a family. The novels I think about are often like this. In decadence and sickness, they exude sadness.

In the setting of the ending, the novels that I think about are generally implicit in the fate theory that "the life of a man is determined by heaven". This view of love, together with the pathological process of love, contributes to the construction of the "abuse" model. This is the story of "A Good Day Like A Dream", so is "A Thousand Mountains And Twilight Snow", and "Too Late To Say I Love You" is no exception. Throughout these works, it is not difficult to find that the author seems to be emphasizing the established nature of a fate: fate has set an existing track for everyone, and the individual slowly moves on this track without knowing it. You can struggle and resist, but the train of fate is still on this track, and the only thing you can do is accept. In line with this view of love, the author emphasizes the inevitability caused by an accidental event in her writing. She likes to start narration with odd encounters or re-encounters, and freely shuttles between the present and past dimensions in the flow of time and space. Explore the gains and losses of love in a contrasting way between the two. But no matter how favorable the external conditions are, and how sincere the feelings of the hero and heroine are, they will not help in the end. The powerful children who were shaped at the beginning of the story have the ability to master the sky, but are still playing with the hands of destiny in the palm of their hands, leading to the inevitable tragedy ending. They are more like a symbol of a group of people who usually look high and are the envy of the general public. They live in luxury, beauty, and freedom, but the novel tells us that even if they are so valuable, they will still be powerless in the face of some things. The power and the court are like Murong Rong, Rong Hua Fugui is at his fingertips, and the power is majestic. At that time, even when he won the world, when he faced his beloved woman Yin Jinglian, he was still helpless, not only failed to give her a proper name, but also let him The most loved woman in her life ends in hate in her own arms, and from then on, there are only endless regrets left to her. Mo Shaoqian, the "big capitalist" in "A Thousand Mountains and Twilight Snow," and Ruan Zhengdong, a high-ranking son in "A Dream Like a Dream", couldn't escape it. …… 类似的叙述在匪我思存的小说中并不鲜见。 It is worth mentioning that in works such as "A Dream in a Good Time", the author has not forgotten to repeatedly imply his own outlook on destiny "If this is all fate, then I confess my fate" "My own life It ’s bitter, uncomfortable, and especially unlucky "" Now as long as Xiao Shan shook his head, I would immediately be crushed by the fingers of fate like an ant " ... A similar narrative is not in the novel I think of Rarely. The literary creation with the theme of "fate" has always been tried and tested, and it is like a constantly changing armor, often different people can wear different effects, even if the same person can be at different times or places Wear different charms. "Kill Oedipus", "Killing Father and Mother", can make a name in the glorious western literature, and "Dream of Red Mansions" can also be immortal in the vast river of oriental literature. As a creator of contemporary novels that keep up with fashion, I think about it. I may simply have shifted and moved these outlooks on destiny, but already made a lot of readers ’tears. In fact, in the title of her novel, an unspeakable fate has already been revealed, whether it is straightforward, such as "Too Late to Say I Love You", or implicitly like "A Thousand Mountains and Twilight Snow" and "A Dream Like a Dream". Either "Xue Xue" or "Dream", as a group of unified imagery, they collectively write the dream-like picture that belongs to the bandit.

The reason why the "abuse" narrative mode supported by such a setting has a wide readership is that in addition to the reader's ability to perceive tragedy is stronger than that of comedy, it is also because many readers are used to reading novels. Sexually switch roles, then place yourself in the story, find venting channels in this model, release pressure, or find psychological balance in the imperfect love of others. Such a seemingly unreasonable plot arrangement can better satisfy the inner aspirations of those seeking spiritual liberation under the pressure of modern society. I can even perceive the mental state and mentality of the readers behind these works. The author wrote the purity of love, and then complicates and tears these pure things to the reader step by step. In this way, he finds the attachment to the popular "talent and beauty" model. Psychologically firmly captured a specific group. How can readers not be fascinated? On the one hand, they will tell themselves that the story is false, on the other hand, they will innocently dream about fairytale dreams, and ask themselves over and over again, is it okay to be Meng Heping? Or Ruan Zhengdong? Then he concealed his thoughts and lingered. It's true when it's fake, and true and false don't seem to be important to them anymore, what they are after is the unrealistic dream effect. 爱情最美的时候 戛然而止。 Then look for a beautiful encounter in the virtual story, looking forward to meeting his own prince or princess, and finally, as the story describes, the abrupt end when love is the most beautiful . 生活琐事,没有柴米油盐,没有洗衣做饭,只留下最精华的部分, 剩下的糟粕,她们宁愿在回归到现实后用眼泪来陪葬。 Eliminate those mundane life chores. There is no chai oil and salt, no washing and cooking, leaving only the best parts, the remaining dross, they would rather bury with tears after returning to reality. The novel provides a place for them. This place obscures daily life, and omits trivial and boredom. There is no place for chicken feathers and no troubles in life. Some are just love and unforgettable love, although this kind of love is full of deformity and morbidity. , Even though this love comes at the cost of heart abuse.

 

Objectively speaking, the novels that I think about still fail to break away from the general pattern of Internet novel creation. There seems to be nothing new in the specific treatment. It is difficult to see the unique perseverance of literature, and it seems that it is impossible to start making a big fuss about art and thought. However, perhaps we lack a necessary innocence towards online literature. It is easy to see the gap between the entertainment and orthodox literary creation of online novels, especially online romance novels. From an artistic perspective, they question the reliability of such works entering the literary horizon. In any case, as a literary phenomenon, the novel I think of has a model and characteristics of her own, as well as a specific market. With the support and pursuit of many readers, it has already exceeded the scope of semi-finished products, showing that The future of a novel. Certain groups hold specific types of novels, and perhaps we should not turn a blind eye to us who live in the contemporary world and always pay attention to the trend of contemporary literature.

 

级硕士生 The author is a 2013 master student of Chinese Modern and Contemporary Literature, School of Arts, Central China Normal University

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A Probe into the Origin of the Bandwife Thinking Mode of Novel Creation——From Several Love Story of Her

2014-11-25 00-00-00

Her novels have always been popular among her fans for their high hit rates on the Internet, high TV adaptation rates, and high sales. Over time, her name has become equal to the mainland's reputation for "sorrowful queen" and has become brilliant. For "gangsters", this statement is obviously too conservative, and they want to extend the evaluation radius to the whole of China, and even to Southeast Asia. 40 岁的女性构成,且多为白领。 According to a survey, the readership of Bandit's Fiction is mainly composed of women aged 14 to 40 , and most of them are white-collar workers. The large age span of readers and the wide range of recipients have made this original romance novel brand gradually recognized by the market and began to form a social phenomenon.

One

 

The love novels that I think of can be regarded only as a new variant of the ancient "genius and beauties novels" in structure. In ancient times, novels such as "Yu Jiao Pear" and "Heng Shan Leng Yan" followed the basic model of talent and beauty in the setting of main characters. It is only in the novels of Bandit I that the "genius" is replaced by the richest man's brother or the faction in power. Origins are a common footnote to their identity. The actor in her novels, whether it's Ruan Zhengdong in A Dream Like A Dream, Mo Shaoqian in A Thousand Mountains and Twilight Snow, or Murong Yu in A Time To Say I Love You, failed to cross the fence. . The heroines are lonely and valiant, clever as Tong Xue, and clinging as Yin Jinglian. They are all flowers as beautiful as women. They all have good looks and good temperament. But unlike in the past, the first part of "The Gifted and the Beautiful Meet" was changed in the novels I think of. The "beautiful" often met the "genius" unwillingly or as a last resort: The best time in "A Good Time Like a Dream" was to avoid the entanglement of the company's brother into the company and accidentally caught the life-saving straw Ruan Zhengdong; Tong Xue in "A Thousand Mountains and Twilight Snow" is worried that he was intimidated and lured by the death penalty for corruption, and committed to Mo Shaoqian, who has long been eager to flee; and in "Too Late to Say I Love You", Yin Jinglian is even more to rescue The fiancé Xu Jianzhang, who was behind bars, was included in Murong's dramatic life track. At the same time, in the setting of the plot, the writer used to start with a climax, and began the plot with fierce drama conflicts, the grass and snakes, and the fine lines. The structural way of the beginning and the climax also further dispelled the plot trend of "Private Lifetime Garden", making the development of emotions move forward slowly in the tortuous plot. The "little man" in the traditional "genius and beauties novel" has also been replaced by the "predecessor", witnessing the emotional journey of the "beauty" in the multi-angled love-hate relationship, and also pulling ups and downs. The "little man" in the traditional novels is set up to prove good things and to test the love of the hero and heroine as a touchstone. In the latter case, the role of the "predecessor" is undoubtedly more obvious. Of course, this new change is reflected in the end of the story at a deeper level: the traditional gifted and beautiful novels generally follow the routine of "the troubled boy and the champion", and this is a marriage reunion. China almost disappeared, replaced by life and death. The plot often ends abruptly when love develops into a feverish stage. The tragic ending leaves a series of colons in the story, giving readers unlimited interpretation possibilities. It should be noted that in the arrangement of roles and plots, instead of trying to “close to reality, close to life, and close to the masses”, the author insists on characters and scenes that readers are not familiar with: the characters are “genius”, “beauty”, and the plot. Most of them are grudges, but their feelings are violent. The "unfamiliarization" of characters and plots is more like forged to satisfy the readers 'imagination, but it is not available, but its "retreat" can satisfy readers' long-suppressed all kinds of fantasy that cannot be achieved in reality, which is closer A state of "self" release.

 

two

 

The expression of "abuse love" is the original background of Bandai Sicun's novel creation, and it is also a basic framework for constructing her own "genius and beauty novel" type. This also made her novel creation fail to expand beyond the theme of love. Even in the novel of love theme, her work was painted with a uniform tone because of the "abuse" mode: sadness . The "abuse of love" mentioned here is not a physiological concept, nor is it completely equivalent to the self-defense mechanism in the psychological sense. The "abuse" here focuses on emphasizing the feeling that is brought to the reader, and this feeling is corresponding to ordinary love relationships. "Bad love" is a kind of malformed love. Compared with ordinary love, "battered love" has only a process without results. It is a sad and heart-feeling love. From the beginning, it leads to corruption and destruction.

This "abuse" model first showed a morbidity in the process. This morbid nature is different from the true feelings of the "petty bourgeoisie" writers like modern "petty bourgeoisie" writers. It is more like a disease-free moan, a gesture pretending to cater to some readers' psychology. The hero in her novel can be said to be the creator of this pathological process. Most of them have imperfect personality traits, and distorted the mentality of possessive revenge, unable to correctly recognize themselves. In "A Good Day Is Like a Dream", Ruan Zhengdong's motive for approaching Youjia was just pure revenge. His best brother, Meng Heping, was broken by the breakup proposed by You Jiaqi. Through the entire Pacific Ocean, he heard Meng The cry of peace has nothing to do. Later, he looked for a chance to approach her, gave her flowers, and called her. "If you get hooked, I'm going to dump you right away and report the sword of my best brother for years ago." However, the author arranged that Ruan Zhengdong also fell in love with such a "neither clever, nor pretty, even a little stupid" woman. The fact that Ruan Zhengdong suffered from liver cancer shortly after the opening was more like a physiological spread of psychological morbidity, or a physical manifestation of psychological morbidity. The love flower of the two of them is based on revenge, and lacks the watering of "Gan Lin", after all, it is difficult to produce full fruits. Mo Shaoqian in "A Thousand Mountains and Twilight" left Tong Xue by his side in order to report his father's revenge, hoping to make Tong Xue's life worse by "repaying his father's debts". But the author also arranged that Mo Shaoqian fell in love with Tong Xue unknowingly. But compared with Ruan Zhengdong, his love is more domineering and more distorted, and it appears from time to time with ill possession. It is worth mentioning that his wife, Mu Yongfei, is also a kind of deprivation of love to Mo Shaoqian rather than broken. Physical control and possession is rather an instinctive reaction to the psychological fear of losing and craving possession. The physical and psychological refutations reflect the spiritual dilemma of craving for love but not love, and to some extent the emptiness and extravagance of the minds of the rich class like a dream bubble. In "Too Late to Say I Love You", time has passed to troubled times, the workplace has been replaced by a battlefield, and the rich second generation has also been replaced by a marshal who only covers the sky. Murong Yu has the power to kill and kill. He can promise when he is happy. Yin Jingying put her hands up in the world, and after a few years, she learned that when she had a daughter with someone, she brutally destroyed what he could not get at the cost of the life of a family. The novels I think about are often like this. In decadence and sickness, they exude sadness.

In the setting of the ending, the novels that I think about are generally implicit in the fate theory that "the life of a man is determined by heaven". This view of love, together with the pathological process of love, contributes to the construction of the "abuse" model. This is the story of "A Good Day Like A Dream", so is "A Thousand Mountains And Twilight Snow", and "Too Late To Say I Love You" is no exception. Throughout these works, it is not difficult to find that the author seems to be emphasizing the established nature of a fate: fate has set an existing track for everyone, and the individual slowly moves on this track without knowing it. You can struggle and resist, but the train of fate is still on this track, and the only thing you can do is accept. In line with this view of love, the author emphasizes the inevitability caused by an accidental event in her writing. She likes to start narration with odd encounters or re-encounters, and freely shuttles between the present and past dimensions in the flow of time and space. Explore the gains and losses of love in a contrasting way between the two. But no matter how favorable the external conditions are, and how sincere the feelings of the hero and heroine are, they will not help in the end. The powerful children who were shaped at the beginning of the story have the ability to master the sky, but are still playing with the hands of destiny in the palm of their hands, leading to the inevitable tragedy ending. They are more like a symbol of a group of people who usually look high and are the envy of the general public. They live in luxury, beauty, and freedom, but the novel tells us that even if they are so valuable, they will still be powerless in the face of some things. The power and the court are like Murong Rong, Rong Hua Fugui is at his fingertips, and the power is majestic. At that time, even when he won the world, when he faced his beloved woman Yin Jinglian, he was still helpless, not only failed to give her a proper name, but also let him The most loved woman in her life ends in hate in her own arms, and from then on, there are only endless regrets left to her. Mo Shaoqian, the "big capitalist" in "A Thousand Mountains and Twilight Snow," and Ruan Zhengdong, a high-ranking son in "A Dream Like a Dream", couldn't escape it. …… 类似的叙述在匪我思存的小说中并不鲜见。 It is worth mentioning that in works such as "A Dream in a Good Time", the author has not forgotten to repeatedly imply his own outlook on destiny "If this is all fate, then I confess my fate" "My own life It ’s bitter, uncomfortable, and especially unlucky "" Now as long as Xiao Shan shook his head, I would immediately be crushed by the fingers of fate like an ant " ... A similar narrative is not in the novel I think of Rarely. The literary creation with the theme of "fate" has always been tried and tested, and it is like a constantly changing armor, often different people can wear different effects, even if the same person can be at different times or places Wear different charms. "Kill Oedipus", "Killing Father and Mother", can make a name in the glorious western literature, and "Dream of Red Mansions" can also be immortal in the vast river of oriental literature. As a creator of contemporary novels that keep up with fashion, I think about it. I may simply have shifted and moved these outlooks on destiny, but already made a lot of readers ’tears. In fact, in the title of her novel, an unspeakable fate has already been revealed, whether it is straightforward, such as "Too Late to Say I Love You", or implicitly like "A Thousand Mountains and Twilight Snow" and "A Time Like Dream". Either "Xue Xue" or "Dream", as a group of unified imagery, they collectively write the dream-like picture that belongs to the bandit.

The reason why the "abuse" narrative mode supported by such a setting has a wide readership is that in addition to the reader's ability to perceive tragedy is stronger than that of comedy, it is also because many readers are used to reading novels. Sexually switch roles, then place yourself in the story, find venting channels in this model, release pressure, or find psychological balance in the imperfect love of others. Such a seemingly unreasonable plot arrangement can better satisfy the inner aspirations of those seeking spiritual liberation under the pressure of modern society. I can even perceive the mental state and mentality of the readers behind these works. The author wrote the purity of love, and then complicates and tears these pure things to the reader step by step. In this way, he finds the attachment to the popular "talent and beauty" model. Psychologically firmly captured a specific group. How can readers not be fascinated? On the one hand, they will tell themselves that the story is false, on the other hand, they will innocently dream about fairytale dreams, and ask themselves over and over again, is it okay to be Meng Heping? Or Ruan Zhengdong? Then he concealed his thoughts and lingered. It's true when it's fake, and true and false don't seem to be important to them anymore, what they are after is the unrealistic dream effect. 爱情最美的时候 戛然而止。 Then look for a beautiful encounter in the virtual story, looking forward to meeting his own prince or princess, and finally, as the story describes, the abrupt end when love is the most beautiful . 生活琐事,没有柴米油盐,没有洗衣做饭,只留下最精华的部分, 剩下的糟粕,她们宁愿在回归到现实后用眼泪来陪葬。 Eliminate those mundane life chores. There is no chai oil and salt, no washing and cooking, leaving only the best parts, the remaining dross, they would rather bury with tears after returning to reality. The novel provides a place for them. This place obscures daily life, and omits trivial and boredom. There is no place for chicken feathers and no troubles in life. Some are just love and unforgettable love, although this kind of love is full of deformity and morbidity. , Even though this love comes at the cost of heart abuse.

 

Objectively speaking, the novels that I think about still fail to break away from the general pattern of Internet novel creation. There seems to be nothing new in the specific treatment. It is difficult to see the unique perseverance of literature, and it seems that it is impossible to start making a big fuss about art and thought. However, perhaps we lack a necessary innocence towards online literature. It is easy to see the gap between the entertainment and orthodox literary creation of online novels, especially online romance novels. From an artistic perspective, they question the reliability of such works entering the literary horizon. In any case, as a literary phenomenon, the novel I think of has a model and characteristics of her own, as well as a specific market. With the support and pursuit of many readers, it has already exceeded the scope of semi-finished products, showing that The future of a novel. Certain groups hold specific types of novels, and perhaps we should not turn a blind eye to us who live in the contemporary world and always pay attention to the trend of contemporary literature.

 

级硕士生 The author is a 2013 master student of Chinese Modern and Contemporary Literature, School of Arts, Central China Normal University

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