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Han Yongming: Thinking Writing

Source: Hubei Writers Network Published: 2014-03-19 Author: Cai home

Back in 2002, I accidentally read Han Yongming's novel "Mao Moon" published in "October", and my heart was suddenly shocked. The novel tells the story of a mother killing her son with a very different theme. The writer set up a reincarnation model, and by digging into the hidden inner world of the characters, he achieved a symbolic writing of the dilemma of human existence-once a person is stubborn of all values and emotions to something external, he will eventually lose himself And in despair. Although the life of the work is strong, but as the title implies, this is a fabled novel. The writer's interest in exploring the deep spiritual world of humans and questioning the ultimate value of people is far greater than the current social problems and the plight of people in real life. s concern. While praising Han Yongming's narrative talents, I was also a little worried: This fiction that deliberately reinforces the meaning is only following the trail of the pioneering novels of the 1990s. What is the future?
I don't know what Han Yongming thought about the literary trend that was popular at the time. An obvious fact is that with the onset of globalization, China's reform and opening up has entered deep-water areas, and social realities have undergone profound changes. Many writers seem to be increasingly vulnerable to the power of capital, the polarization of the rich and the poor, and the increasingly fragmented social values The "real picture" turned a blind eye, still clinging to the literary concepts of the 1990s, indulging in art forms, indulging in the "ego" world, advocating personal writing, intentionally separating self from reality, and completely exiled speaking on major social issues Literary tradition. As a result, literature is losing its body temperature and strength, and it is becoming farther and farther away from its readers. In that noisy and impetuous atmosphere, my impression of Han Yongming has also blurred.
It wasn't until 2006 that I read his Landslide published in Contemporary. The "landslide" in the novel takes place in two spaces, one is the natural world and the other is human society. Landslides in nature are caused by geological changes and are an unavoidable ecological disaster. In describing the disaster, the writer reflected on the damage to the ecological environment caused by excessive pursuit of development and looting of resources. On this basis, the writer also deeply portrays the multiple "landslides" of human society: from a political perspective, the credibility of government agencies has seriously deteriorated. At a time when life and death are at stake, village and town cadres, regardless of danger, persuaded the villagers to avoid danger, but the villagers thought that they "speak the most credible" and "requested money" before evacuating. Even if the cadres have given great patience, love, and even their lives, they still cannot influence the villagers. From a value perspective, the villagers measured everything in terms of money, chasing material desires rather than respecting life, and pursuing short-term benefits instead of their expectations for future development. The rural value system has collapsed. From an ethical point of view, the moral crisis in the village is equally alarming. Saburo's indifference to affection and the boss's unscrupulous methods all manifested a serious decline in morality. This novel is like a prism, reflecting Chinese social reality and the transformation of the human heart from multiple angles. It has a strong sense of presence and no lack of philosophical thinking, showing a writer's profound insight into the times. Through this work, it is also obvious that Han Yongming's literary concept is constantly deepening. He returned to the tradition of realism, rooted in the soil of reality, paying attention to major social issues, hoping to face the times and make his own voice. "Landslide" marks that his novel creation has established his basic dimension.
Since then, he has successively published a number of weighty works such as "The Happiness Plan", "Submergence", "Immigration Storm", "Big Marriage", and "River Water", which have gradually attracted the attention of the literary world, and have also presented more distinctive artistic features.
The first is a strong sense of problem. Whether a writer has a sense of problem will determine the depth of his creation. Han Yongming always tries to penetrate the appearance of the changing times, cut into the texture of social symptoms, and bring enlightenment to people in the way that the meditator speaks on the scene. For example, The Happiness Project is also an infectious work focusing on major social issues. The title of the novel has a strong irony. The "happiness plan" of Master Jin, the working driver, is actually a "pain plan" and a "despair plan". Master Jin's plight seems to be a poor individual's destiny, but it reflects social injustice. In analyzing the symptoms of the times, Han Yongming expressed the thoughts of a responsible writer. While revealing social problems, he always insisted on calling for those lost traditional values and ideals. He has worked for many years at the grassroots level, and has a deep understanding of rural, peasant and township grassroots cadres. Therefore, his feelings for these writing objects are with those writers who have been living in the study for a long time, sipping coffee, and seeking inspiration from foreign literature and movies. They are quite different-his writing is full of understanding sympathy and pitying worries, which is clearly reflected in works such as "Slide" and "Mark is coming". If his writing can also be attributed to "low-level literature", compared with those low-level suffering writings and critical writings that have been modeled and roughened, Han Yongming's criticism appears to be mild and sometimes "constructive" ; His narrative tone is full of thoughtful attention to characters, and the text appears simple and tender. Perhaps this writing attitude will weaken the strength of his work to a certain extent, but why doesn't it provide a new experience worthy of reflection for "low-level literature"? To put it another way, this choice of value position also proves his idiosyncrasy.
Second, the combination of realism and symbolism. The main theme of Han Yongming's novel style is realism, pursuing realistic depictions of life details, and trying to reproduce typical characters in typical environments. Like Meng Hualing in "Slide", Master Jin in "Happiness Plan", Peng Wangcai in "Overwhelmed", Wu Youyi in "Immigrant Storm", Zhang Baiguo in "Big Marriage", Tian Fengzhi in "River Water" , All portrayed vividly and vividly. These characters have extreme personalities and share a common characteristic-stubbornness. From the surface, stubbornness is a character and way of life; from the deeper level, it symbolizes the adherence to culture and the protection of value ideals. In addition to giving the character a variety of symbolic character, Han Yongming often gives meaning to the story. For example, in "Immigration Storm", Wu Youyi gave up his family life, stubbornly sought out swindlers, and wanted to recover resettlement funds. From a practical point of view, he is to make up for his faults, prove his integrity, and personally innocent morals; if he goes deeper, "looking for" has a profound meaning-does his seemingly hopeless person find a needle in the sea? Does the error symbolize the difficult situation of the society's re-invention of ideals? This novel leads the thinking on the real problem to the ultimate inquiry into human existence. Compared to Mao Moon, it is obviously more life-like and heavier. While revealing the protagonist's life situation with realistic brushwork, Han Yongming gave it a strong symbolic character, which greatly expanded the meaning space of the novel.
Third, good at discovering legendary factors in life. Han Yongming is familiar with the customs and customs of the countryside, the cultural psychology of the peasants, and the living conditions of township cadres. Therefore, when writing, many vivid details come in handy, and there is a strong atmosphere of life between the lines. While pursuing authenticity, he also pays great attention to the readability of the novel, always trying to discover the legendary factors in ordinary life, and interpreting it into a profound story: the village cadres and military friendship chased away thousands of miles, and the well-dressed liar turned out to be He instinctively fished out of the vast sea of people ("Immigration Storm"); in order to save his wife, the taxi driver, Master Jin, prepared to impose a gun murderer to obtain a bonus, but he happened to meet the murderer ("Happiness Plan"); the villagers In order to obtain evidence, Chen Baiguo sold his marriage certificate and "married" with a strange woman. However, he did not expect that the fake wife sent him a daughter ("Big Marriage") ... These stories are twists and turns, which is a contemporary "surprising surprise" ". In this era of information explosion, writers writing daily life often face the blame of "reading exhaustion" from readers. Han Yongming's efforts to discover "legends" have magnified the "familiarity" factor in daily life, making narrative and There is tension between the familiar lives, and the readability of the text is greatly enhanced.
At present, Han Yongming has shown his face in the literary world, but how to achieve a more unique vision to penetrate the appearance of life, which he has never said before, and that he must take the lead first, obviously he needs to continue to think deeply.


Carry on the hobby to the end

Han Yongming

I write because of my hobbies, just like people who like Mahjong play mahjong, and people who like collection do collections. I started to work in the Propaganda Department of the County Party Committee. I went to the countryside with the Secretary of the County Party Committee, made a nutrition bowl, and filled the mud. I was hungry to eat raw sweet potatoes. I was very moved. I came back and wrote an essay called "Chun Yang". "Xi Chu Literature" and won a prize. After that, he wrote a novel called "Autumn Events", which was published in "Three Gorges Literature".
One day, "Fang Cao" organized a pen meeting and passed through Guigui. On behalf of the unit, I received those famous and rare writer editors. In the hotel lobby, an editor of "Fang Cao" was sitting on the sofa waiting for someone to call for breakfast. I took out a manuscript from the bag for him to watch. He read two pages and said that the manuscript was interesting. Soon, "Fang Cao" sent out this novella.
Because of this, the county Party committee changed my job and asked me to take a leadership role in a town. I didn't do it. Just because I love writing. I think writing is a happy thing, better than being an official. A few years later, I came to Wuhan to drink with the editor and talk about what happened that year. I said, just because of that manuscript, otherwise I'm mixed up with five people. He said, that's to save you, otherwise, you might be a corrupt official and went in early.
This is of course a joke. In fact, because of this manuscript, my hobby of writing was strengthened even more.
After writing for ten years, I haven't written any good works, but I have some feelings about the state of writing. For example, always consider writing as a hobby.
I think maintaining writing in a hobby dimension is a clever way for stupid people. First of all, do n’t take it as the foundation of your life, do n’t take it as a stepping stone, a stepping stone, do n’t expect it to become rich, change your destiny, get fame, your writing will be pure, and your mindset will be calm. Literature is a "scarlet moth". God does not give you the talent to eat this bowl of rice. You try your best, and you break the iron shoes.
Second, consider writing as a hobby, or you can look farther and broader, and have more energy to pay attention to this colorful era. Some people lament that more and more writing is not grounded. Is this related to the fact that writers do not care about the lives of others, writers lack the true feelings of real life, and hide in the study to create?
Third, writing as a hobby can be less stressful, impetuous, anxious, and tired, which is good for health. I've seen too many anxious people. I admire their piety and sense of mission. But on the other hand, literature is not a super girl hiccup, after all, literature is not a lively and well-received activity. After all, it's a bit of the taste and taste of life ... it can't make a person anxious.
Nowadays, more and more people are writing, and few people are really engaged in professional writing. In the face of all kinds of writing at the moment, I think it is necessary to maintain a peaceful mentality, and it is also necessary to treat writing as a hobby.
For literature, anxiety doesn't work, and anxiety doesn't work either. Utilitarianism is even worse. Think of writing as a hobby, and if you want to write, you can write whatever you want. It is much easier for people to be comfortable.
Writing here, it reminded me of sister Zhang's running a magazine. In the 1920s, they lived in Jiuru Lane, Suzhou, and founded China's first family magazine, Water. The sisters wrote and engraved and distributed it to friends and relatives. After the outbreak of the Anti-Japanese War, "Water" had to stop publication. In 1995, Mr. Zhang Yunhe decided to republish "Water". In February 1996, the first issue of the reissue number was officially published, with a total of 25 copies printed.
This is probably the least-circulated magazine in the world. I wonder why they want to run such a magazine that is circulating in the family. At least not to make money, to gain any visibility. what is that? It's a hobby, a kind of elegance, a kind of purity, which makes me respectfully.
Still hobby.
Hobby is like a bug hiding in the body. You can't see it, but it keeps arching you. If you don't want to do it, that worm will make you uncomfortable. Hobby is also like loving someone. If you are pure, if you love her or not, you will love and have happiness.
Baiju has gone too far, and has gone to Japan a lot. He is no longer young, but his hobby is unchanged. Willing to keep writing at a hobby level.


Introduction of Han Yongming:
Han Yongming, a native of Hubei Province, has major novels such as Dahe Fengchen and Secret Agents; novella collection "Big Marriage" and prose collection "Sunset and Township"; in "October", "Contemporary", Mountain "," Qingming "," Works "," Yangtze River Literature "," Fangcao "and other published more than 50 kinds of short and medium novels, many works have been selected by" Fiction Selection "," Fiction Monthly "," Selected Novels "," Selected Chinese Literature "," Selected Novels "and other publications are reproduced. "Landslide" has won the "Best" award of "Contemporary" literary rally, and "Landslide" and "Special Agents" have been adapted into film and television works.


Written by Han Yongming, Jiangsu Literature and Art Publishing House, December 2013, 1 edition 1 time pricing: 34.00 yuan
 
Address: Hubei Writers Association, No. 1 Cuiliu Street, Donghu Road, Wuchang District, Wuhan City, Hubei Province Tel: 027-68880616 027-68880679
Copyright @ Hubei Writer's Network. All Rights Reserved. E ICP No. 09015726 hiwui.cn
Technical Support: Hubei Daily

Han Yongming: Thinking Writing

2014-03-19 00-00-00

Back in 2002, I accidentally read Han Yongming's novel "Mao Moon" published in "October", and my heart was suddenly shocked. The novel tells the story of a mother killing her son with a very different theme. The writer set up a reincarnation model, and by digging into the hidden inner world of the characters, he achieved a symbolic writing of the dilemma of human existence-once a person is stubborn of all values and emotions to something external, he will eventually lose himself And in despair. Although the life of the work is strong, but as the title implies, this is a fabled novel. The writer's interest in exploring the deep spiritual world of humans and questioning the ultimate value of people is far greater than the current social problems and the plight of people in real life. s concern. While praising Han Yongming's narrative talents, I was also a little worried: This fiction that deliberately reinforces the meaning is only following the trail of the pioneering novels of the 1990s. What is the future?
I don't know what Han Yongming thought about the literary trend that was popular at the time. An obvious fact is that with the onset of globalization, China's reform and opening up has entered deep-water areas, and social realities have undergone profound changes. Many writers seem to be increasingly vulnerable to the power of capital, the polarization of the rich and the poor, and the increasing fragmentation of social values. The "real picture" turned a blind eye, still clinging to the literary concepts of the 1990s, indulging in art forms, indulging in the "ego" world, advocating personal writing, intentionally separating self from reality, and completely exiled speaking on major social issues. Literary tradition. As a result, literature is losing its body temperature and strength, and it is becoming farther and farther away from its readers. In that noisy and impetuous atmosphere, my impression of Han Yongming has also blurred.
It wasn't until 2006 that I read his Landslide published in Contemporary. The "landslide" in the novel takes place in two spaces, one is the natural world and the other is human society. Landslides in nature are caused by geological changes and are an unavoidable ecological disaster. In describing the disaster, the writer reflected on the damage to the ecological environment caused by excessive pursuit of development and looting of resources. On this basis, the writer also deeply portrays the multiple "landslides" of human society: from a political perspective, the credibility of government agencies has seriously deteriorated. At a time when life and death are at stake, village and town cadres, regardless of danger, persuaded the villagers to avoid danger, but the villagers thought that they "speak the most credible" and "requested money" before evacuating. Even if the cadres have given great patience, love, and even their lives, they still cannot influence the villagers. From a value perspective, the villagers measured everything in terms of money, chasing material desires rather than respecting life, and pursuing short-term benefits instead of their expectations for future development. The rural value system has collapsed. From an ethical point of view, the moral crisis in the village is equally alarming. Saburo's indifference to affection and the boss's unscrupulous methods all manifested a serious decline in morality. This novel is like a prism, reflecting Chinese social reality and the transformation of the human heart from multiple angles. It has a strong sense of presence and no lack of philosophical thinking, showing a writer's profound insight into the times. Through this work, it is also obvious that Han Yongming's literary concept is constantly deepening. He returned to the tradition of realism, rooted in the soil of reality, paying attention to major social issues, hoping to face the times and make his own voice. "Landslide" marks that his novel creation has established his basic dimension.
Since then, he has successively published a number of weighty works such as "The Happiness Plan", "Submergence", "Immigration Storm", "Big Marriage", and "River Water", which have gradually attracted the attention of the literary world, and have also presented more distinctive artistic features.
The first is a strong sense of problem. Whether a writer has a sense of problem will determine the depth of his creation. Han Yongming always tries to penetrate the appearance of the changing times, cut into the texture of social symptoms, and bring enlightenment to people in the way that the meditator speaks on the scene. For example, The Happiness Project is also an infectious work focusing on major social issues. The title of the novel has a strong irony. The "happiness plan" of Master Jin, the working driver, is actually a "pain plan" and a "despair plan". Master Jin's plight seems to be a poor individual's destiny, but it reflects social injustice. In analyzing the symptoms of the times, Han Yongming expressed the thoughts of a responsible writer. While revealing social problems, he always insisted on calling for those lost traditional values and ideals. He has worked for many years at the grassroots level, and has a deep understanding of rural, peasant and township grassroots cadres. Therefore, his feelings for these writing objects are with those writers who have been living in the study for a long time, sipping coffee, and seeking inspiration from foreign literature and movies They are quite different-his writing is full of understanding sympathy and pitying worries, which is clearly reflected in works such as "Slide" and "Mark is coming". If his writing can also be attributed to "low-level literature", compared with those low-level suffering writings and critical writings that have been modeled and roughened, Han Yongming's criticism appears to be mild and sometimes "constructive" ; His narrative tone is full of thoughtful attention to characters, and the text appears simple and tender. Perhaps this writing attitude will weaken the strength of his work to a certain extent, but why doesn't it provide a new experience worthy of reflection for "low-level literature"? To put it another way, this choice of value position also proves his idiosyncrasy.
Second, the combination of realism and symbolism. The main theme of Han Yongming's novel style is realism, pursuing realistic depictions of life details, and trying to reproduce typical characters in typical environments. Like Meng Hualing in "Slide", Master Jin in "Happiness Plan", Peng Wangcai in "Overwhelmed", Wu Youyi in "Immigrant Storm", Zhang Baiguo in "Big Marriage", Tian Fengzhi in "River Water" , All portrayed vividly and vividly. These characters have extreme personalities and share a common characteristic-stubbornness. From the surface, stubbornness is a character and way of life; from the deeper level, it symbolizes the adherence to culture and the protection of value ideals. In addition to giving the character a variety of symbolic character, Han Yongming often gives meaning to the story. For example, in "Immigration Storm", Wu Youyi gave up his family life, stubbornly sought out swindlers, and wanted to recover resettlement funds. From a practical point of view, he is to make up for his faults, prove his integrity, and personally innocent morals; if he goes deeper, "looking for" has a profound meaning-does his seemingly hopeless person find a needle in the sea? Does the error symbolize the difficult situation of the society's re-invention of ideals? This novel leads the thinking on the real problem to the ultimate inquiry into human existence. Compared to Mao Moon, it is obviously more life-like and heavier. While revealing the protagonist's life situation with realistic brushwork, Han Yongming gave it a strong symbolic character, which greatly expanded the meaning space of the novel.
Third, good at discovering legendary factors in life. Han Yongming is familiar with the customs and customs of the countryside, the cultural psychology of the peasants, and the living conditions of township cadres. Therefore, when writing, many vivid details come in handy, and there is a strong atmosphere of life between the lines. While pursuing authenticity, he also pays great attention to the readability of the novel, always trying to discover the legendary factors in ordinary life, and interpreting it into a profound story: the village cadres and military friendship chased away thousands of miles, and the well-dressed liar turned out to be He instinctively fished out of the vast sea of people ("Immigration Storm"); in order to save his wife, the taxi driver, Master Jin, prepared to impose a gun murderer to obtain a bonus, but he happened to meet the murderer ("Happiness Plan"); the villagers In order to obtain evidence, Chen Baiguo sold his marriage certificate and "married" with a strange woman. However, he did not expect that the fake wife sent him a daughter ("Big Marriage") ... These stories are twists and turns, which is a contemporary "surprising surprise" ". In this era of information explosion, writers writing daily life often face the blame of "reading exhaustion" from readers. Han Yongming's efforts to discover "legends" have magnified the "familiarity" factor in daily life, making narrative and There is tension between the familiar lives, and the readability of the text is greatly enhanced.
At present, Han Yongming has shown his face in the literary world, but how to achieve a more unique vision to penetrate the appearance of life, which he has never said before, and that he must take the lead first, obviously he needs to continue to think deeply.


Carry on the hobby to the end

Han Yongming

I write because of my hobbies, just like people who like Mahjong play mahjong, and people who like collection do collections. I started to work in the Propaganda Department of the County Party Committee. I went to the countryside with the Secretary of the County Party Committee to make a nutrition bowl. I was soaked in mud. "Xi Chu Literature" and won a prize. After that, he wrote a novel called "Autumn Events", which was published in "Three Gorges Literature".
One day, "Fang Cao" organized a pen meeting and passed through Guigui. On behalf of the unit, I received those famous and rare writer editors. In the hotel lobby, an editor of "Fang Cao" was sitting on the sofa waiting for someone to call for breakfast. I took out a manuscript from the bag for him to watch. He read two pages and said that the manuscript was interesting. Soon, "Fang Cao" sent out this novella.
Because of this, the county Party committee changed my job and asked me to take a leadership role in a town. I didn't do it. Just because I love writing. I think writing is a happy thing, better than being an official. A few years later, I came to Wuhan to drink with the editor and talk about what happened that year. I said, just because of that manuscript, otherwise I'm mixed up with five people. He said, that's to save you, otherwise, you might be a corrupt official and went in early.
This is of course a joke. In fact, because of this manuscript, my hobby of writing was strengthened even more.
After writing for ten years, I haven't written any good works, but I have some feelings about the state of writing. For example, always consider writing as a hobby.
I think maintaining writing in a hobby dimension is a clever way for stupid people. First of all, do n’t take it as the foundation of your life, do n’t take it as a stepping stone, a stepping stone, do n’t expect it to become rich, change your destiny, get fame, your writing will be pure, and your mindset will be calm. Literature is a "scarlet moth". God does not give you the talent to eat this bowl of rice. You try your best, and you break the iron shoes.
Second, consider writing as a hobby, or you can look farther and broader, and have more energy to pay attention to this colorful era. Some people lament that more and more writing is not grounded. Is this related to the fact that writers do not care about the lives of others, writers lack the true feelings of real life, and hide in the study to create?
Third, writing as a hobby can be less stressful, impetuous, anxious, and tired, which is good for health. I've seen too many anxious people. I admire their piety and sense of mission. But on the other hand, literature is not a super girl hiccup, after all, literature is not a lively and well-received activity. After all, it's a bit of the taste and taste of life ... it can't make a person anxious.
Nowadays, more and more people are writing, and few people are really engaged in professional writing. In the face of all kinds of writing at the moment, I think it is necessary to maintain a peaceful mentality, and it is also necessary to treat writing as a hobby.
For literature, anxiety doesn't work, and anxiety doesn't work either. Utilitarianism is even worse. Think of writing as a hobby, and if you want to write, you can write whatever you want. It is much easier for people to be comfortable.
Writing here, it reminded me of sister Zhang's running a magazine. In the 1920s, they lived in Jiuru Lane, Suzhou, and founded China's first family magazine, Water. The sisters wrote and engraved and distributed it to friends and relatives. After the outbreak of the Anti-Japanese War, "Water" had to stop publication. In 1995, Mr. Zhang Yunhe decided to republish "Water". In February 1996, the first issue of the reissue number was officially published, with a total of 25 copies printed.
This is probably the least-circulated magazine in the world. I wonder why they want to run such a magazine that is circulating in the family. At least not to make money, to gain any visibility. what is that? It's a hobby, a kind of elegance, a kind of purity, which makes me respectfully.
Still hobby.
Hobby is like a bug hiding in the body. You can't see it, but it keeps arching you. If you don't want to do it, that worm will make you uncomfortable. Hobby is also like loving someone. If you are pure, if you love her or not, you will love and have happiness.
Baiju has gone too far, and has gone to Japan a lot. He is no longer young, but his hobby is unchanged. Willing to keep writing at a hobby level.


Introduction of Han Yongming:
Han Yongming, a native of Hubei Province, has major novels such as Dahe Fengchen and Secret Agents; novella collection "Big Marriage" and prose collection "Sunset and Village Pass"; in "October", "Contemporary", "Clock Mountain "," Qingming "," Works "," Yangtze River Literature "," Fangcao "and other published more than 50 kinds of short and medium novels, many works have been selected by" Fiction Selection "," Fiction Monthly "," Selected Novels " "," Selected Chinese Literature "," Selected Novels "and other publications are reproduced. "Landslide" has won the "Best" award of "Contemporary" literary rally, and "Landslide" and "Special Agents" have been adapted into film and television works.


Written by Han Yongming, Jiangsu Literature and Art Publishing House, December 2013, 1 edition 1 time pricing: 34.00 yuan
 
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