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Three Ways of Poetry

Source: Unknown Date: 2012-11-09 Author: Lui Chuang

The transition period is the period of multiculturalism. The three main themes of literary literature, pure literature, and popular literature are mutually supportive, and they are also reflected in the field of poetry. The writing of spoken poetry undoubtedly has the influence of popular culture. Pioneer poetry still follows the line of elite literature, and the prosperity of red lyric poetry is closely related to the promotion of theme literature. In line with this, Hubei poetry in the transition period generally has the following three directions.
Times • Politics
Hubei's poetic tradition, which pays attention to major events of the times, has been inherited and carried forward during the transition period. Major historical events such as the unprecedented floods in the Yangtze River Basin in 1998, the Three Gorges Project that attracted worldwide attention, the return of Hong Kong, the death of the great man, and the 2008 Wenchuan earthquake have inspired Hubei poets to create creative sentiments. They have left many moving works. . Poems such as "Trees on the Jianghan Plain" by Dong Hongzhang and "Testimony from the Flood Control Monument" by Luo Gaolin sang the feat of fighting floods in 1998, "telling an ordinary and great story." Hubei poets are fond of the Three Gorges Project, and several poets have written grand constructions in long scrolls. Xiong Fulin published several groups of poems under the title "Across the Century Aria," showing the progress of the Three Gorges Project to readers. Xie Keqiang's lyric long poem "Symphony of the Three Gorges" embodies the symbolic significance of the Three Gorges Project in contemporary China with magnificent pictures and surging passion, and depicts the heroes of the Three Gorges builders. Passionate and touching. Luo Gaolin published a long political lyric poem "Deng Xiaoping" with over 6,000 lines in 1997, with a large structure and a high tone. Later, in cooperation with Leng Yefu, he launched a 5,000-line long poem describing the national flag, "The First Flag of the Republic." These chanting political lyric poems have great themes and distinctive themes, and have strong literary features.
Life · Local
Since the transition period, Hubei's local poetry writing has made new developments on the basis of its predecessors, from external description to internal expression, from object narrative to subjective lyric, from a single perspective to a three-dimensional focus. The reference elements of urban civilization are aggravated, differences between urban and rural areas, and the image of urban migrant workers have attracted more attention from poets. Dissatisfaction with the flat, single rural customs, and worry writing strengthened the three-dimensional observation from the defects of the system and the richness and complexity of human nature. Boldly innovating and exploring on the basis of drawing on traditional poetry expression techniques, oralization and narrative have become the common methods adopted by many poets. No matter from the development of imagery or the use of techniques, it is richer and more varied, with deeper connotations.
The master of Hubei's native poetry during the transformation period was Tian He. The poverty of the peasants, the humble fate, and the hardship of life were astonishingly expressed in his poems. Che Yangao extended the native soil to ancient times, to the frontiers, and to the rural migrant workers in the city, which can be called "Pan vernacular poetry". Expressing the classic sentiment in modern spoken language and capturing unique insights from daily life are his signature skills in contemporary poetry. Liu Yishan, Wang Xinmin, Xiong Zhaozheng, Chen Yingsong, Liang Biwen, Gu Weihuang, Zhang Zhihao, Xiang Tianxiao, Nan Fei, Qian Liyan, Liu Xiaoping, all at this stage created local poems with rich connotations and different styles.
Pioneer • Beautiful
Hubei's exploration poetry in the transition period has roughly gone through two development stages, namely the "individual writing period" and "network poetry group period". After the 1990s, the inward turning of the ideological spirit and the development of individualization have gained greater possibilities. The psychological description of individualization and individualization has been strengthened. The Hubei poetry has entered the stage of individual exploration, and a number of emerged. New exploration poet. Such as Yulong, Luxixi, A Mao, Yu Xiaozhong, Li Jianchun, Xiaoyin, Zhang Zhihao, Liu Zongxuan, Xianli, Han Shaojun, Liu Jiechi and so on.
Since the beginning of the new century, Hubei has successively produced "or" poetry nets and "or net journals" and "or poetry" paper-based folk journals, "parallel literature nets" and "parallel net journals" and "han poetry" magazines. Sex and convenience, unite the poets at home and abroad in Hubei, this is the "online poetry group period." Su Porcelain has an indifferent and skeptical insight into emotions and the world, and has an exceptional ability to express intuitively and use images. The sentinel insisted on writing local history. He rewritten a multi-colored Honghu, a gray-toned Honghu, and a broken Honghu. It was also an important harvest of Hubei poetry in the new century.
There are many well-known poets in Hubei, but they lack everyone. I personally think that it is related to the strong national complex and weak personal standard consciousness. In other words, the politicized Qu Yuan complex is heavy, and the personalized Li Bai complex is weak. Hubei literary circles should be a little bit more weird and Li Bai-style wild. We must not always be "realist" who is always a mother-in-law and step by step. Qu Yuan or Li Bai? It is a question before Hubei poets.

(Source: Hubei Daily)

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Three Ways of Poetry

2012-11-09 00-00-00

The transition period is the period of multiculturalism. The three main themes of literary literature, pure literature, and popular literature are mutually supportive, and they are also reflected in the field of poetry. The writing of spoken poetry undoubtedly has the influence of popular culture. Pioneer poetry still follows the line of elite literature, and the prosperity of red lyric poetry is closely related to the promotion of theme literature. In line with this, Hubei poetry in the transition period generally has the following three directions.
Times • Politics
Hubei's poetic tradition, which pays attention to major events of the times, has been inherited and carried forward during the transition period. Major historical events such as the unprecedented floods in the Yangtze River Basin in 1998, the Three Gorges Project that attracted worldwide attention, the return of Hong Kong, the death of the great man, and the 2008 Wenchuan earthquake have inspired Hubei poets to create creative sentiments. They have left many moving works. . Poems such as "Trees on the Jianghan Plain" by Dong Hongzhang and "Testimony from the Flood Control Monument" by Luo Gaolin sang the feat of fighting floods in 1998, "telling an ordinary and great story." Hubei poets are fond of the Three Gorges Project, and several poets have written grand constructions in long scrolls. Xiong Fulin published several groups of poems under the title "Across the Century Aria," showing the progress of the Three Gorges Project to readers. Xie Keqiang's lyric long poem "Symphony of the Three Gorges" embodies the symbolic significance of the Three Gorges Project in contemporary China with magnificent pictures and surging passion, and depicts the heroes of the Three Gorges builders. Passionate and touching. Luo Gaolin published a long political lyric poem "Deng Xiaoping" with over 6,000 lines in 1997, with a large structure and a high tone. Later, in cooperation with Leng Yefu, he launched a 5,000-line long poem describing the national flag, "The First Flag of the Republic." These chanting political lyric poems have great themes and distinctive themes, and have strong literary features.
Life · Local
Since the transition period, Hubei's local poetry writing has made new developments on the basis of its predecessors, from external description to internal expression, from object narrative to subjective lyric, from a single perspective to a three-dimensional focus. The reference elements of urban civilization are aggravated, differences between urban and rural areas, and the image of urban migrant workers have attracted more attention from poets. Dissatisfaction with the flat, single rural customs, and worry writing strengthened the three-dimensional observation from the defects of the system and the richness and complexity of human nature. Boldly innovating and exploring on the basis of drawing on traditional poetry expression techniques, oralization and narrative have become the common methods adopted by many poets. No matter from the development of imagery or the use of techniques, it is richer and more varied, with deeper connotations.
The master of Hubei's native poetry during the transformation period was Tian He. The poverty of the peasants, the humble fate, and the hardship of life were astonishingly expressed in his poems. Che Yangao extended the native soil to ancient times, to the frontiers, and to the rural migrant workers in the city, which can be called "Pan vernacular poetry". Expressing the classic sentiment in modern spoken language and capturing unique insights from daily life are his signature skills in contemporary poetry. Liu Yishan, Wang Xinmin, Xiong Zhaozheng, Chen Yingsong, Liang Biwen, Gu Weihuang, Zhang Zhihao, Xiang Tianxiao, Nan Fei, Qian Liyan, Liu Xiaoping, all at this stage created local poems with rich connotations and different styles.
Pioneer • Beautiful
Hubei's exploration poetry in the transition period has roughly gone through two development stages, namely the "individual writing period" and "network poetry group period". After the 1990s, the inward turning of the ideological spirit and the development of individualization have gained greater possibilities. The psychological description of individualization and individualization has been strengthened. The Hubei poetry has entered the stage of individual exploration, and a number of emerged. New exploration poet. Such as Yulong, Luxixi, A Mao, Yu Xiaozhong, Li Jianchun, Xiaoyin, Zhang Zhihao, Liu Zongxuan, Xianli, Han Shaojun, Liu Jiechi and so on.
Since the beginning of the new century, Hubei has successively produced "or" poetry nets and "or net journals" and "or poetry" paper-based folk journals, "parallel literature nets" and "parallel net journals" and "han poetry" magazines. Sex and convenience, unite the poets at home and abroad in Hubei, this is the "online poetry group period." Su Porcelain has an indifferent and skeptical insight into emotions and the world, and has an exceptional ability to express intuitively and use images. The sentinel insisted on writing local history. He rewritten a multi-colored Honghu, a gray-toned Honghu, and a broken Honghu. It was also an important harvest of Hubei poetry in the new century.
There are many well-known poets in Hubei, but they lack everyone. I personally think that it is related to the strong national complex and weak personal standard consciousness. In other words, the politicized Qu Yuan complex is heavy, and the personalized Li Bai complex is weak. Hubei literary circles should be a little bit more weird and Li Bai-style wild. We must not always be "realist" who is always a mother-in-law and step by step. Qu Yuan or Li Bai? It is a question before Hubei poets.

(Source: Hubei Daily)

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